Artist statement

This work presents a composite landscape of mountains, water, and trees inspired by sansuhwa (산수화); traditional Korean landscape painting, in which nature is a site of contemplation rather than scenery. The scale is designed to dwarf the viewer. Central to the work is wayou (와유; 卧游) – meditative travel through a painted landscape – the repeating image across four joined sheets renders nature as continuous and cyclical, inviting the viewer to journey through rather than observe.

For me, this is an act of reconnection. The experience of existing between two cultures, belonging fully to neither, is one many in the diaspora quietly carry. The rice paper, tea-dyeing, and scroll format are gestures of reaching toward something that has always been mine.

Photographs: Anna Kucera

Acknowledgement of Country

UNSW School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.

We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.