Dr Bic Tieu

Dr Bic Tieu

Lecturer
Arts, Design & Architecture
School of Art & Design

Bic Tieu is a designer, object maker and jeweller.
She is also a lecturer teaching in the School of Art + Design at the University of NSW.
She is interested in ways objects are holders to stories, cultures, and knowledge.

Bic’s works draws on traditional and contemporary craft and design methods inspired by her Asian-cultural lineages to investigate themes of personal and cross-cultural narratives. Specialising in traditional and contemporary metal and lacquer technologies, her practice often utilises a synthesis of these materials to create new perspectives on contemporary object making and meanings. Her recent works navigates cartographic ways to explore the ‘in-between’ to create new kinds of cultural objects that are representative of the hybrid cultures, diasporic life experiences and identity represented in the diverse cultures in Australia. Bic’s practice revel in materiality expressed in object-based forms to create better understanding of cultural diversity within the Asia-Australia context.

Bic began her design and jewellery education at the University of NSW Art and Design in the late 1990s, where she completed both a Bachelor Design and a Master of Design (Honours) degrees. Her practice further developed through two years professional training at the world-famous Kitamura Koubou in Japan, studying Japanese lacquer, a traditional form of Japanese painting using sprinkled gold powder. Bic has also completed her practice-based PhD at the Australian National University with the Jewellery and Object workshop.

Bic’s works have been selected for international competitions, national touring and solo exhibitions. Her jewellery and lacquer objects are held in private and public collections both in Australia and Japan. Bic continues to work on exhibition projects and gives talks and workshops at various local and international design conferences. She has conducted studio Masterclasses and workshops, completed various local and international residency programs and recipient of awards and grants; including the National Association of Visual Arts, Asialink, The Ian Potter Cultural Trust, The Australia Council for the Arts, The Australian Design Centre and The University of NSW-COFA (former name).

Alongside exploring the realm of the jewellery and object scene, Bic maintains a parallel practice as a freelance designer. Bic has over five year’s experience in jewellery designing and manufacturing industry working as a designer in the Asian regions. Working at the production scale, utilising computer-aided design and large-scale production methods to facilitate the commercial jewellery world. Known for her attention to detail, Bic renders meticulous designs in 1:1 scale using Adobe Illustrator and Photoshop to articulate designs ready for production. In 2013, Bic started the Bic Tieu Studio. Consisting of small run, studio production base of contemporary jewellery design, honing in to reflect her specialty skills.

In 2017 Bic was appointed an academic role teaching at UNSW Art & Design where the culmination of her practice and skills are passed onto students. She has spent some time on the Jewellers and Metalsmith Group of Australia (JMGA) committee as Newsletter Editor between years 2017 – 2020. Bic is passionate about designing, teaching, making and materiality. She is interested how jewellery and object installation can act as a vehicle for expressing ideas and bringing communities together.

Currently, Bic is lecturer in the School of Art and Design. She is also the International Student Experience Engagement and Recruitment Champion. She convenes and teaches across the Object courses, a disciplinary major. She also teaches into the Design Studio Capstone courses and mentors students in the Design Honours program.

More information about Bic can be found:
www.bictieu.com

 

Phone
+61-2-89360618
Location
Sydney
  • Journal articles | 2022
    Tieu B, 2022, 'Graphics and Contemporary Jewellery Making Processes', Journal of Jewellery Research, 5, pp. 53 - 66, https://www.journalofjewelleryresearch.org/current-volume/
    Journal articles | 2020
    Tieu B, 2020, 'The Politics of Vietnamese Craft: American Diplomacy and Domestication', The Journal of Modern Craft, 13, pp. 215 - 218, http://dx.doi.org/10.1080/17496772.2020.1790118
  • Creative Works (non-textual) | 2023
    Tieu B, 2023, Charms of Fairfield, Mính, Fairfield City Museum and Gallery, 29 April 2023 - 14 October 2023, at: https://www.fcmg.nsw.gov.au/Exhibitions-Events/Past-Exhibitions/2023/M%C3%8CNH
    Creative Works (non-textual) | 2023
    Tieu B, 2023, Moving Magnolia, Speculation nation: Making Utopia, Craft + Design Canberra, 18 May 2023 - 01 July 2023, at: https://craftanddesigncanberra.org/blogs/past-exhibitions-2024/speculation-nation-making-utopia
    Creative Works (non-textual) | 2023
    Tieu B, 2023, Object In-between, The Second Tel Aviv Biennale of Crafts and Design, Muza Eretz Israel Museum, Tel Aviv, 31 March 2023 - 11 November 2023, at: https://www.eretzmuseum.org.il/en/exhibitions/the-tel-aviv-biennale-of-crafts-and-design-2023/
    Creative Written Works | 2022
    Tieu B, 2022, The Box: A Magic Object of Objects, Objecthood: The relationship between things and their meanings, Murray K, (ed.), https://garlandmag.com/article/the-box-a-magic-object-of-objects/
    Conference Presentations | 2022
    Tieu B, 2022, 'Connecting Intercultural Values and Making', presented at Association for Contemporary Jewellery (ACJ) 2022 conference: Beyond Silver, Exeter University, 01 July 2022 - 03 July 2022, https://acj.org.uk/index.php/2-uncategorised/776-acj-2022-conference-beyond-silver
    Conference Papers | 2022
    Tieu B, 2022, 'Designing the In-between: Traversing Biography and Place through Objects', in Saad DQ (ed.), IOTA21 FUTURING CRAFT CONFERENCE - PROCEEDINGS, The Indian Ocean Triennial Australia - IOTA 21, Perth, Western Australia, Curtin University, presented at Indian Ocean Craft Triennal, 'Futuring Craft' IOTA 21 International Conference, Curtin University, 17 February 2022 - 18 September 2021, https://indianoceancrafttriennial.com/conference/conference-day-01/
    Creative Works (non-textual) | 2022
    Tieu B, 2022, Thresholds, 2022 Japan Jewellery Competition, The Tokyo Metropolitan Art Museum, 13 June 2022 - 08 June 2022, at: https://www.jjda.or.jp/en/competition/entry-796.html
    Conference Presentations | 2021
    Tieu B, 2021, 'Crafting and Conversing: In-betweenness through the Making of Objects', presented at Postgraduate Workshop: Asian Art Research Now in association with 2021 AAANZ Conference Emerging Scholars Program, Online, 07 December 2021 - 07 December 2021, https://www.an4aa.org/rhd-2021
    Conference Presentations | 2021
    Tieu B, 2021, 'Designing the In-between: Traversing Biography and Place through Objects', presented at Futuring Craft International Conference, Curtin University, 17 September 2021 - 19 October 2021, https://indianoceancrafttriennial.com/
    Conference Presentations | 2021
    Tieu B, 2021, 'Thresholds: Connecting Intercultural Values and Making', presented at The JMGA Conference Redistributed: Value Chains Reset, online, 17 August 2021 - 09 October 2021, https://garlandmag.com/value-chains/
    Creative Works (non-textual) | 2021
    Tieu B, 2021, Bows, Meditating through Jewelry, Artist Living Room, New York City Jewelry Week, 16 November 2021 - 21 November 2021, medium: Ebony, Stainless Steel, Sterling Silver, at: https://nycjewelryweek.com/events/#meditating-through-jewelry?eventType=exhibition
    Creative Works (non-textual) | 2021
    Tieu B, 2021, Patterns In-between, Cheongju International Craft Biennale 2021, Culture Factory - Cheongju, South Korea, 08 September 2021 - 17 October 2021, at: https://www.okcj.org/%20and%20https://www.youtube.com/watch?v=765iQwkkab8
    Conference Papers | 2019
    Moline K; Parker A; Tieu B; Vickers C; Watts H, 2019, 'Narratives in the Exhibition of Design: Materials, Processes and Contemporary Challenges', in Narratives in the Exhibition of Design: Materials, Processes and Contemporary Challenges, Monash University, Melbourne, Australia, presented at Real/Material/Ethereal: The 2nd Annual Design Research Conference, Monash University, Melbourne, Australia, 03 October 2019 - 04 October 2019, https://www.monash.edu/__data/assets/pdf_file/0006/1986702/adr19-schedule.pdf
    Creative Works (non-textual) | 2019
    Tieu B, 2019, Framing Tea Leaves, Shifts in Japanese Materiality, Craft ACT: Craft + Design Centre, Canberra, 11 July 2019 - 31 August 2019, medium: Sterling Silver and Shakudo, at: https://craftact.org.au/blogs/exhibition-catalogues/shifts-in-japanese-materiality
    Creative Works (non-textual) | 2019
    Tieu B, 2019, Kangaroo Paws Brooches, Contemporary Wearables ’19 Biennial Jewellery Award, Toowoomba Regional Art Gallery, 07 September 2019 - 03 December 2019, medium: Sterling Silver, Japanese Lacquer, Plywood, Mother of Pearl Powder, Stainless Steel., at: http://user.tr.qld.gov.au/all-time/81659/exhibition-contemporary-wearables-19-biennial-jewellery-award
    Creative Works (non-textual) | 2019
    Tieu B, 2019, Mapping Floral Imagery, Ideas Intersecting: Innovation and Design, The Black Box: USW Art & Design, 01 December 2019 - 10 March 2019, medium: Video, at: https://sydneydesign.com.au/2019/event/ideas-intersecting-innovation-and-design/
    Curatorial Outputs | 2019
    Vickers C; Tieu B, 2019, Ideas Intersecting: Innovation and Design, exhibited at: The Black Box, UNSW Sydney, 01 March 2019 - 10 March 2019, https://www.ideasintersecting.com/exhibition-1
    Creative Written Works | 2019
    Vickers C; Watts H; Parker A; Tieu B, 2019, Placing Process, Ligature Journal Issue 07, Oppen F; Riley K, (ed.), Tiliqua Press, https://www.ligaturejournal.com/issues/ligature-journal-issue-seven-place-mind/
    Creative Works (non-textual) | 2019
    Vickers C, 2019, Performance Annotations, Ideas Intersecting: Innovation and Design, The Black Box, UNSW Art & Design, 01 March 2019 - 10 March 2019, medium: Video, at: https://www.ideasintersecting.com/exhibition-1
    Creative Works (non-textual) | 2018
    Keulemans G, 2018, Archaeologic Vases (series 3 & 4), Guy Keulemans, The Japan Foundation Sydney, 02 February 2018 - 17 March 2018, medium: ceramic, metal, synthetic glues, photoluminescent pigments, paint, at: https://jpf.org.au/events/shifts-in-japanese-materiality/
    Creative Works (non-textual) | 2018
    Tieu B, 2018, Mapping Floral Imagery: Moon Sea Light Series and Floral Maps, Shifts In Japanese Materiality, The japan Foundation Gallery, 02 February 2018 - 16 February 2018, at: https://jpf.org.au/events/shifts-in-japanese-materiality/
    Curatorial Outputs | 2018
    Tieu B, 2018, Shifts in Japanese Materiality, exhibited at: The Japan Foundation, Sydney, 02 February 2018 - 16 March 2018, https://jpf.org.au/events/shifts-in-japanese-materiality/
    Creative Works (non-textual) | 2017
    Tieu B, 2017, Bi-Cultural Florals, How Does Your Garden Grow?, Goulburn Art Regional Gallery, 03 February 2017 - 18 March 2017, at: http://www.grag.com.au/site/exhibition.php?id=128
    Creative Works (non-textual) | 2017
    Tieu B, 2017, Out Line Floras, How Does Your Garden Grow?, Goulburn Art Regional Gallery, 03 February 2017 - 18 March 2017, at: http://www.grag.com.au/site/exhibition.php?id=128
    Creative Written Works | 2016
    Tieu B; Murray K, 2016, An Orchid in the Desert - The Lacquer Journey of Bic Tieu, Between Auspicious Forms: Contemplative Jewellery and Objects made from Metal and Lacquer, KhaΧ Publishers, http://kevinmurray.com.au/text/an-orchid-in-the-desert-the-lacquer-journey-of-bic-tieu
    Conference Papers | 2016
    Tieu B; Veness Z, 2016, 'Poetic Dimensions: Jewellery Conversations about Design Process', in Wong SW; Kikuchi Y; Lin TS (eds.), Making Trans/National Contemporary Design History, Blucher, Taipei, pp. 238 - 243, presented at ICDHS 2016 TAIPEI | THE INTERNATIONAL CONFERENCE ON DESIGN HISTORY & DESIGN STUDIES, Taipei, 26 October 2016 - 28 March 2016, http://dx.doi.org/10.5151/despro-icdhs2016-03_011
    Creative Works (non-textual) | 2016
    Tieu B, 2016, Between Auspicious Forms: Contemplative Jewellery and Objects made from Metal and Lacquer, Between Auspicious Forms, Fairfield City Museum and gallery, 20 August 2016 - 21 December 2016
    Creative Works (non-textual) | 2016
    Tieu B, 2016, Traversing The Surface, Secret Seven: Research Adventures in Jewellery and Object, AD SPACE | UNSW Art & Design, 04 October 2016 - 07 October 2016
    Conference Papers | 2016
    Veness ZJ; Tieu B, 2016, 'Poetic Dimensions: Jewellery Conversations about Design Process', Taipei, presented at ICDHS The International Conference on Design History and Design Studies: Making Trans/national Contemporary Design History, Taipei, 26 October 2016 - 28 October 2016, https://www.facebook.com/ICDHS2016Taipei/
    Creative Written Works | 2015
    Tieu B, 2015, A shimmering Practice:Japanese Lacquer Art, TAASA Review: The Journal of Asian Arts Society, The Asian Arts Society Inc, http://taasa.org.au/taasa-review/
    Conference Presentations | 2012
    Tieu B, 2012, 'Makie the Sprinkling of a Magical History: Making in the New World', presented at MAKING an International Conference on Materiality and Knowledge, Notodden, Norway, 24 September 2012 - 27 September 2012, http://making.nordfo.org/
    Theses / Dissertations | 2007
    Tieu B, 2007, Traditional Vietnamese Lacquering Processes and their Applicaitons to Contemporary Jewellery and Small Scale Body related Objects, The University of New South Wales
    Conference Papers | 2005
    Parker WA; Tieu B, 2005, 'The Intersection of Lacquer and Laser Technology in Contemporary Jewellery Design', in 2005 IDC: New Design Paradigms - International Design Congress - IASDR 2005, IDC: New Design Paradigms - International Design Congress - IASDR 2005 2005, National Yunlin University of Science and Technology, Taiwan, presented at IDC: New Design Paradigms - International Design Congress - IASDR 2005 2005, National Yunlin University of Science and Technology, Taiwan, 01 November 2005 - 04 November 2005