Dr Clare Milledge
Senior Lecturer

Dr Clare Milledge

 

 

2007-2013

Doctor of Philosophy, The Artist Shaman and “the Gift-of-Sight”, Sydney College of the Arts, The University of Sydney, Sydney  

Supervisors: Associate Professor Ann Elias and Matthys Gerber

2008 PhD candidate, Sydney College of the Arts, The University of Sydney/ Universität der Künste, Berlin Supervisors: 

Supervisors: Associate Professor Ann Elias and Matthys Gerber/Lothar Baumgarten

2006

Bachelor of Visual Arts (Painting), Honours 1, Sydney College of the Arts, The University of Sydney, Sydney and Statens Kunst Akademi, Oslo 

Supervisors: Matthys Gerber and Gunter Reski

2004-2005

Bachelor of Visual Arts (Painting), Sydney College of the Arts, The University of Sydney, Sydney

1999

Bachelor of Visual Arts (Foundation), The College of Fine Arts, The University of New South Wales, Sydney

 

Arts,Design & Architecture
School of Art & Design

Dr Clare Milledge is an artist and academic.

She lives and works between and the lands of the Garigal, Bidjigal and Gadigal people of the Eora Nation, Warrang/Sydney and the lands of the Arakwal people of the Bundjalung Nation/Northern NSW. She is a Senior Lecturer at UNSW Arts, Design and Architecture and is represented by STATION.

Her work re-examines contemporary environments with a focus on our engagement with ecology through art, in particular through the use of the historical figure of the artist-shaman. Working with fieldwork as her primary methodology she collects, re-organises, transforms and re-presents recordings, information and material gathered on ecological surveys and site visits. Her research output takes the form of public installation environments that variously incorporate glass paintings, textile works, costumes, sets, collaborative experimental sound and performance.

Milledge completed her Doctor of Philosophy at Sydney College of the Arts, the University of Sydney in 2013. Part of her candidacy (2008) was spent at the Universität der Künste, Berlin. She completed her Honours year (also administered by Sydney College of the Arts) at the Statenskunst Akademi in Oslo (2006) and maintains an active engagement with Norwegian contemporary art. 

 

 

  • Journal articles | 2021
    Milledge C, 2021, 'WORKING WITH TRADITION: CLARE MILLEDGE’S REVERSE GLASS PAINTINGS', NGV Magazine, https://www.ngv.vic.gov.au/ngv-magazine/issue-26-jan-feb-2021-2/working-with-tradition-clare-milledges-reverse-glass-paintings/
  • Creative Works (non-textual) | 2022
    Milledge C, 2022, Eidothea: immortal clones of the perlite deposits, Still Life, Buxton Contemporary, 02 June 2022 - 06 November 2022, at: https://buxtoncontemporary.com/exhibitions/still-life/
    Creative Works (non-textual) | 2022
    Milledge C, 2022, Imbás: a well at the bottom of the sea, Biennale of Sydney rīvus, Pier 2/3 Walsh Bay Hicksons Rd, 12 March 2022 - 13 May 2022, at: https://www.biennaleofsydney.art/
    Creative Works (non-textual) | 2021
    Milledge C, 2021, Dychymig Dychymig: tree alphabet, Dychymig Dychymig: Tree Alphabet, STATION gallery, Melbourne, 03 April 2021 - 01 May 2021, at: https://stationgallery.com.au/exhibitions/clare-milledge-2021
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Eidothea: Immortal Clones of the Perlite Deposits (Nightcap), Wakeful Consciousness, Disclaimer Journal, 01 November 2020 - 01 January 2021, medium: Poem on webpage, at: https://disclaimer.org.au/contents/from-wakefulness-to-consciousness/eidothea-immortal-clones-of-the-perlite-deposits-nightcap
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Eidothea: Immortal Clones of the Perlite Deposits, The Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition (Established), Sydney College of the Arts Gallery, Old Teachers College, Manning Road, Camperdown NSW 2006, 02 October 2020 - 13 November 2020, medium: Oil on stained glass, found tree parts,, at: https://www.sydney.edu.au/news-opinion/news/2020/10/02/fauvette-loureiro-memorial-scholarships.html
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Little shrike-thrush calling in the gully: in praise of shadows, LOVE(f)ART:#02 IN ISO, LOVEART, 61 Ocean St Woollahra NSW 2025, 09 September 2020 - 27 October 2020, medium: oil on toughened glass, lead, galvanised steel wire 47.5 x 46 cm five parts each, at: https://www.loveart.com/lovefart
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Police Camp: Passive Recreation Area, Police Camp: Passive Recreation Area, STATION, Suite 201, 20 Bayswater Road Potts Point, New South Wales 2011, 11 April 2020 - 09 May 2020, medium: 9 oil paintings on toughened glass with recycled hardwood frames, 2 acrylic paintings on walls., at: http://stationgallery.com.au/exhibitions/clare-milledge-2020
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Sacks of Wind: A Rock Harder Than Rock, NGV Triennial, National Gallery of Victoria, 19 December 2020 - 18 April 2021, medium: Oil on toughened glass, bronze, steel., at: https://www.ngv.vic.gov.au/exhibition/triennial-2020/
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Art as Fieldwork: Hot Spell on the Way, Second Sight: Witchcraft, Ritual, Power, University of Queensland Art Museum, 01 March 2019 - 29 June 2019, medium: Painting, installation, sound performance, at: https://art-museum.uq.edu.au/second-sight-witchcraft-ritual-power
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Cosmic Downloads: Institutional Agility and Moon Drawing Down, Ruler, rete, Arndt Art Agency, Fasenenstraße 28, Berlin 10719 Berlin, 26 April 2019 - 12 May 2019, medium: Oil on glass, bronze, at: https://stationgallery.com.au/exhibitions/ruler-rete
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Lunar Declension, Idle Worship, Lismore Regional Gallery, Australia, 17 August 2019 - 13 October 2019, medium: oil on glass, at: https://www.lismoregallery.org/cp_themes/default/page.asp?p=DOC-KBA-52-46-27#.XdM0BDIzagQ
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Pleasure Plants, Pleasure Plants, STATION, Sydney, 11 September 2019 - 26 October 2019, at: https://stationgallery.com.au/exhibitions/pleasure-plants
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Stations Direct and Xanthos Retrograde, Sydney Contemporary, Carriageworks, Sydney, Australia, 11 September 2019 - 15 September 2019, medium: oil on glass, recycled Australian hardwood, at: https://sydneycontemporary.com.au/program-sectors19/
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Antipodean Field Survey: Vertebrate calls Glenorchy, NZ and Oslo, NO 1.2.17 - 7.2.17, What Remains, Fotogalleriet, Oslo, Norway, 09 February 2017 - 19 March 2017, medium: acrylic on glass gallery windows, at: http://www.fotogalleriet.no/en/exhibitions/what-remains-exh
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Strigiformes: Binocular, Binaural I, Hot Pocket, Museet for Samtidskunst, Nasjonalmuseet, Oslo, 01 June 2017 - 01 June 2017, medium: Sound, performance, props, at: http://www.nasjonalmuseet.no/en/exhibitions_and_events/exhibitions/museum_of_contemporary_art/Tori+Wr%C3%A5nes.+Hot+Pocket.b7C_wBzM5g.ips
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Strigiformes: Binocular, Binaural II, Remedial Works, Perth Institute of Contemporary Arts, 11 November 2017 - 24 December 2017, at: http://pica.org.au/show/remedial-works/
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Ton Sur Ton; Rice Ambient Liquid Lens Soap, Crusted Heat, The Commercial Gallery, Redfern, 01 July 2017 - 29 July 2017, medium: Oil on glass, bronze, at: https://thecommercialgallery.com/artist/clare-milledge/exhibition/817/crusted-heat-christmann-ghaemi-milledge-perry
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Adelaide Biennial of Australian Art: Magic Object, Adelaide Biennial of Australian Art: Magic Object, Samstag Museum of Art, Adelaide, Australia, 27 February 2016 - 15 May 2016, at: http://adelaidebiennial.com.au/2016/artist/clare-milledge/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Arkhipovian Vessel, Dämmerschlaf, Artspace, Sydney, 28 January 2016 - 28 February 2016, medium: oil on glass, at: https://www.artspace.org.au/program/exhibitions/2016/daemmerschlaf/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Auckland Art Fair, Auckland Art Fair, The Cloud, Auckland, NZ, 25 May 2016 - 29 May 2016, at: http://www.thecommercialgallery.com/exhibition/auckland-art-fair-group-show-a5/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Dämmerschlaf, Dämmerschlaf, Artspace, 28 January 2016 - 28 February 2016, at: https://www.artspace.org.au/program/exhibitions/2016/daemmerschlaf/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, If you were a bread; if you were a coin; if you were a ninja; if you were a swing bridge, Sunday Punch, Sydney College of the Arts, 07 February 2016 - 07 February 2016, medium: pvc conduit, copper, silk, artists' beercaps, hessian, plastic fabric, cotton, hemp rope, bronze shackles, dried mandarin peel from a year looking at the sea, air dimensions variable, at: http://www.sundaypunch.com.au/#/clare-milledge/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Neverwhere/Erewhon, Neverwhere/Erewhon, Gaia Gallery (Istanbul), Margaret Lawrence Gallery (Melbourne), Horsham Regional Art Gallery (VIC), Warrnambool Art Gallery (VIC), Benalla Art Gallery (VIC), Latrobe Regional Gallery (VIC), 02 September 2016 - 11 March 2018, at: http://vca.unimelb.edu.au/engage/margaret-lawrence-gallery/untitled-curated-by-vikki-mcinnes
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self Reflexive Critique: Alpha Mu, The Mnemonic Mirror, UTS Gallery, Sydney, Australia, 10 May 2016 - 01 July 2016, medium: Acrylic on glass window in situ, at: http://art.uts.edu.au/index.php/exhibitions/the-mnemonic-mirror/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self Reflexive Critique: Iota, The Mnemonic Mirror, Griffith University Art Gallery, Brisbane, Australia, 10 May 2016 - 01 July 2016, medium: oil on glass, textiles, bronze, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self-Reflexive Critique: Abecedary (Melb), Gesture Manifest, Blindside Gallery, Melbourne, 20 July 2016 - 30 August 2016, medium: Acrylic on wall, at: http://www.liquidarchitecture.org.au/program/gesture-manifest/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self-Reflexive Critique: Alpha Lamda (Byron Bay), The Mnemonic Mirror, Griffith University Art Gallery, Brisbane, 08 December 2016 - 11 March 2017, medium: acrylic on glass window in situ, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, The Mnemonic Mirror, The Mnemonic Mirror, Griffith University Art Gallery (Brisbane), 08 December 2016 - 11 March 2017, medium: Acrylic on glass, oil on glass, bronze, paint rags, hand-dyed and painted hessian, recycled packaging, at: https://www.griffith.edu.au/art-museum/whats-on/past-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, War Memorial (VIC), The Mnemonic Mirror, Griffith University Art Gallery, 08 December 2016 - 11 March 2016, medium: oil on glass, textiles, bronze, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Other | 2015
    Milledge C (ed.), 2015, ArtStart
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Academic Suspicions: Staging a Hermeneutics of Incommensurability, The Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Galleries, Sydney, 01 August 2015 - 30 October 2015, at: http://www.claremilledge.com/academic-suspicions-staging-a-hermeneutics
    Other | 2015
    Milledge C, 2015, ArtsNSW Professional Development funding – Artist Support, http://www.arts.nsw.gov.au/index.php/funding-and-support/types-of-funding/professional-development-artist-support/
    Other | 2015
    Milledge C, 2015, Artspace 1 year studio residency
    Other | 2015
    Milledge C, 2015, Australian Artist's Grant - NAVA
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Behavioral Modernity, Behavioural Modernity, MuseumsQuartier, Vienna, Austria, 30 May 2015 - 31 July 2015, at: https://www.facebook.com/events/796218167127367/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Declaration and Submission, Fantasia Atmospheres (Grottoesque), Theoretical Headspeople, The Bright Future of a Headless Lettuce, Sydney Contemporary Art Fair, Carriageworks, Sydney, 10 September 2015 - 13 September 2015, medium: Oil on toughened glass, textiles, bronze, at: http://www.thecommercialgallery.com/exhibition/sydney-contemporary-group-show-a01/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Naughty Books, Writing Art, Artspace, Sydney, Australia, 25 June 2015 - 16 July 2015, medium: Oil on tempered glass, wood, at: http://www.artspace.org.au/program/ideas-platform/2015/writing-art-scott-donovan/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Neverwhere, Neverwhere, Gaia Gallery, Istanbul, Turkey, 14 August 2015 - 12 September 2015, at: http://asialink.unimelb.edu.au/arts/commissions-and-projects/current-commissions/neverwhere
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Paleo-Everything, Casual Conversation, Minerva, Sydney, Australia, 27 June 2015 - 08 August 2015, at: http://www.minervasydney.com/#casual-conversation
    Creative Works (non-textual) | 2015
    Milledge C, 2015, TPOLR, TPOLR, The Commercial Gallery, Sydney, Australia, 12 June 2015 - 04 July 2015, at: http://www.thecommercialgallery.com/exhibition/tpolr-cairns-gothe-snape-milledge-pulie-teague/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Thurifer's Cloak, Horse Blanket, Pestilent Unground; Epidemic Openness, Station Gallery, Melbourne, Australia, 26 September 2015 - 17 October 2015, medium: Oil on toughened glass, textiles, bronze, at: http://stationgallery.com.au/exhibitions/pestilent-unground-epidemic-openness
    Creative Works (non-textual) | 2014
    Milledge C, 2014, (in which Wickham plays the role of Ensnared Flyman and Milledge that of the Chelonian Pedometer), A Temporary Wriggle, Firstdraft, Sydney, 19 November 2014 - 12 December 2014, at: http://atemporarywriggle.com/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Altus Duel: Total Environment, Altus Duel: Total Environment, Gertrude Contemporary, Melbourne, Australia, 31 January 2014 - 01 March 2014, at: http://www.gertrude.org.au/exhibitions/gallery-11/past-14/altus-duel--total-environment.phps
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Anthropocene Solar Anus, OUI we, The Commercial Gallery, Sydney, 24 January 2014 - 08 March 2014, medium: oil on tempered glass, at: http://www.thecommercialgallery.com/exhibition/oui-we/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Discover Real Hope for the Future, Texit, ICAN, Sydney, 11 December 2014 - 03 January 2015, medium: oil on tempered glass, tempered mirror, hessian, frame, at: https://icanart.wordpress.com/2014/12/08/dec-2014-texit/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, One and Three Narcissi, BLACKMODULAR, Haines and Hinterding House, Lawson, Blue Mountains, 22 June 2014 - 22 June 2014, at: http://www.modernartprojects.org/
    Curatorial Outputs | 2014
    Milledge C, 2014, Psychomagic: Dead Matters, exhibited at: 55 Sydenham Rd, Sydney, 19 September 2014 - 05 October 2014, Psychomagic: Dead Matters, http://www.55sydenhamrd.com/psychomagic-deadmatters
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Theoretical Regression: A Warm Sheen Against Received Ideas, Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney, 24 October 2014 - 22 November 2014, at: http://www.claremilledge.com/9375/4580471/previously/theoretical-regression-a-warm-sheen-against-received
    Creative Works (non-textual) | 2014
    Milledge C; Lorange A; Hinterding J, 2014, Psychomagic: Dead Matters, Psychomagic: Dead Matters, 55 Sydenham Rd. Sydney, Australia, 19 September 2014 - 05 October 2014, at: http://www.55sydenhamrd.com/psychomagic-deadmatters
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Anthropocene Circle: Theory Theory, Anthropocene Circle: Theory Theory, Kalimanrawlins, Melbourne, 27 July 2013 - 31 August 2013, medium: oil on glass, at: http://www.claremilledge.com/anthropocene-circle-theory-theory
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Motivated Reasoning: Strategic, Tactical, Operational, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, Sydney, 22 March 2013 - 13 April 2013, medium: oil on glass, acrylic on walls, teak, mirror, at: http://www.thecommercialgallery.com/exhibition/motivated-reasoning-strategic-tactical-operational/
    Theses / Dissertations | 2013
    Milledge C, 2013, The Artist-Shaman and the Gift of Sight
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Unstable Parts in an Unfriendly Place, Unstable Parts in an Unfriendly Place, ICAN, Sydney, 12 December 2013 - 22 December 2013, at: https://icanart.wordpress.com/2013/12/10/dec-2013-unstable-parts-in-an-unfriendly-place/
    Creative Works (non-textual) | 2013
    Milledge C, 2013, When Will the End Come?, The Sleeping and the Dead, Sarah Scout Presents, Melbourne, 14 March 2013 - 13 April 2013, at: http://www.sarahscoutpresents.com/web/the-sleeping-and-the-dead/
    Creative Works (non-textual) | 2012
    Milledge C, 2012, Maximalist Ritualist, Maximalist Ritualist, Australian Experimental Art Foundation, Adelaide, 20 April 2012 - 19 May 2012, at: http://www.claremilledge.com/maximalist-ritualist
    Creative Works (non-textual) | 2011
    Milledge C, 2011, Cave Art: Retarded Transcendence, Cave Art: Retarded Transcendence, Peloton, Sydney, 04 August 2011 - 27 August 2011, medium: Oil on glass, video, sculpture, at: http://www.claremilledge.com/cave-art-retarded-transcendence
    Creative Works (non-textual) | 2010
    Milledge C, 2010, Lord Owl, Lord Owl, ICAN, Sydney, 19 March 2010 - 10 April 2010

 

2021

Arts Projects for Individuals and Groups, Australia Council for the Arts

 

2018        

Arts Projects for Individuals and Groups, Australia Council for the Arts

 

2016        

ArtsNSW Support Grant

Arts Projects for Individuals and Groups, Australia Council for the Arts

 

2015         

ArtsNSW Support Grant

Australian Artist’s Grant, NAVA

ArtStart Grant, Australia Council for the Arts

 

2014         

NSW Artist’s Grant, ArtsNSW grant administered by NAVA

 

2010         

New Work Grant for Emerging Visual Artists, Australia Council for the Arts

 

2008         

Janet Holmes à Court Artists Grant, NAVA

Fauvette Loureiro Memorial Artists Exchange Scholarship, Sydney College of the Arts, The University of Sydney (Berlin)

 

2006         

Fauvette Loureiro Memorial Artists Exchange Scholarship, Sydney College of the Arts, The University of Sydney (Oslo)

 

 

2007-2010  

University Postgraduate Award, Sydney College of the Arts, The University of Sydney, Sydney

 

Milledge’s research output is held in the collections of:

Artbank, Sydney

Buxton Contemporary, Melbourne

Monash University Museum of Art, Melbourne

National Gallery of Victoria, Melbourne

Ten Cubed, Melbourne

 

 

 

Milledge is an early-career researcher with a high level of non-traditional research output. Her work re-examines contemporary environments with a focus on our engagement with ecology through art, in particular through the use of the historical figure of the artist-shaman. Working with fieldwork as her primary methodology she collects, re-organises, transforms and re-presents recordings, information and material gathered on ecological surveys and site visits. Her research output takes the form of public installation environments that variously incorporate glass paintings, textile works, costumes, sets, collaborative experimental sound and performance. Recognition for her research in this field is evidenced by the inclusion of her work in consistently high-calibre institutions, where it has been contextualised within relevant frameworks relating to the artist-shaman and changing ecologies. 

Recent career highlights include: commissioning of her installation Imbás: a well at the bottom of the sea in the 23rd Biennale of Sydney Rīvus.; inclusion of glass paintings in a dedicated room as part of the NGV Triennial (2020); an installation of glass paintings, recycled textile works, and a collaborative sound performance in Second Sight: Witchcraft, Ritual, Power, University of Queensland Art Museum (2019); a solo performance and an installation for the group exhibition Remedial Works at PICA, Perth; a solo performance Strigiformes: Binocular, Binaural, curated by Stina Högkvist for Museet for Samtidskunst, Nasjonalmuseet (Museum for Contemporary Art, National Museum of Norway); a large commissioned glass work for What Remains, curated by Silja Leifsdottir at Fotogalleriet, Oslo; (all 2017); glass paintings in Magic Object, The Adelaide Biennial, curated by Lisa Slade; the expansive installation Dämmerschlaf with Mikala Dwyer and Nick Dorey, curated by Alexie-Glass Kantor and Talia Linz for Artspace, Sydney (both 2016) and the touring group exhibition Erewhon curated by Vikki McInnes, Margaret Lawrence gallery (2016-2018).

 

She has held numerous solo exhibitions at commercial galleries, primarily STATION Gallery and The Commercial Gallery. She has exhibited at the University of Technology Sydney, Sydney College of the Arts, Griffith University Art Gallery and numerous other University Galleries.

 

She was three times a finalist in the Helen Lempriere Travelling Art Scholarship (2007, 2008, 2010) and three times a finalist in the Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition (2016, 2017, 2020). She was one of seven artists awarded an Inaugural Artspace 1 year studio (2015) and currently holds a studio residency at Carriageworks. Her work is held in the collections of the National Gallery of Victoria, Buxton Contemporary, Monash University Museum of Art, Ten Cubed and Artbank.

 

 

 

 

 

 

 

 

Selected bibliography.

 

2020

Tom Melick, "Living Annotations (for Clare Milledge)", NGV Artjournal

https://www.ngv.vic.gov.au/essay/living-annotations-for-clare-milledge/

 

2019

Amelia Wallin, “Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge”, Artlink Issue 39:1 pp 30-35 (feature article) https://www.artlink.com.au/articles/4741/revisiting-colour-problems-emily-vanderpoel-hilma-/

Sophie Rose, “Second Sight: Witchcraft, Ritual, Power”, Un Projects (exhibition review)

http://unprojects.org.au/un-extended/reviews/second-sight/

2018

Anna Dunnill, “Sacks of wind: a rock harder than rock”, Artguide (exhibition preview) https://artguide.com.au/clare-milledge-sacks-of-wind-a-rock-harder-than-rock

Ned Reilly, “Vegesingularity”, Art + Australia, 2018. Issue Three (54.2): Unnaturalism pp 54-63

http://www.artandaustralia.com/vegesingularity

2017

Anna Dunnill, “Remedial Works,” Runway Experimental Arts 

http://conversations.runway.org.au/conversations/remedial-works/ (exhibition review)

Andreas Breivik and Victoria Duffee, “Clare Milledge at the Museum for Contemporary Art,” Vi ser på Kunst, http://viserpaakunst.com/clare-milledge/ (performance review)

“Symposium: Clare Milledge,” Museum, Issue 7 “Factory”

2016

Dr Astrid Lorange, “Reading Paintings and Poetry,” Blackbox Manifold, Issue 16 http://www.manifold.group.shef.ac.uk/issue16/AstridLorangeEssayBM16.pdf (journal article)

Dr Marian Tubbs, "Vortices and abstraction: and in the end relations," Oberon #2, p 50-54 (journal article)

Dr Astrid Lorange, “Alien Intimacy,” Skara Thynge: Travelling Stock Reserves, The Commercial Gallery, Sydney (exhibition text)

Craig Judd, “This Thing,” Magic Object: Adelaide Biennial, (biennial catalogue) 

Sebastian Goldspink, “Elements: The Shaman,” Magic Object: Adelaide Biennial, (biennial catalogue)

Teri Hoskin, “2016 Adelaide Biennial of Australian Art: Magic Object,” April 1 2016, Artlink (biennial review) 

Jane Llewellyn, “Adelaide Biennial 2016: Where the Magic Happens.” http://adelaidereview.com.au/arts/adelaide-biennial-2016/ Jan 29 2016, The Adelaide Review (biennial review)

Craig Judd, “The Mnemonic Mirror,” Artlink, (exhibition review) https://www.artlink.com.au/articles/4459/the-mnemonic-mirror/

John Neylon, “Review: 2016 Adelaide Biennial is Simply Magic,” The Adelaide Review, (biennial review)

Vikki McInnes, “Dark Pasts, Dark Presents: The Originary Nowhere,” in Erewhon, Margaret Lawrence Gallery and touring with NETSVIC (exhibition catalogue)

Molly McPhee, “Stigma: The Work of the Straightener, in Erewhon in Erewhon, Margaret Lawrence Gallery and touring with NETSVIC (exhibition catalogue)

2015

Tom Melick, “Sit on me, said the rock and I’ll speak,” 

Katie Milton, “Outer Body/ Outer Mind,” Runway - Australian Experimental Art, Issue 27: Outside http://runway.org.au/outer-body-outer-mind/ (journal article)

Dan Rule, “Our pick of what’s showing in galleries around town,” The Sydney Morning Herald online http://www.mutualart.com/ExternalArticle/Our-pick-of-what-s-showing-in-galleries-/C6C38EFB56DE14F7 October 9 2015 (article)

Neha Kale, “Searching for Meaning Amid the Mess,” Vault Magazine, July 2015, Issue 10, pp 18-19 (journal feature article)

2014

Tom Melick, “A Speculative Dictionary for Clare Milledge,” Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney (exhibition text)

Kyla McFarlane, “The Suppository of All Wisdom,” Altus Duel: Total Environment, Gertrude Contemporary, Melbourne (exhibition catalogue)

2013

Isobel Parker Phillip, “Clare Milledge, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, 22 March – 13 April 2013,” UN Projects, Issue 7.1 p 19 (exhibition review)

2012

Catherine Bennetts-Cash, “Un-Acclimatised,” Monash University Museum of Art, (exhibition catalogue)

2011

Margaret Farmer, “Bad Angle,” Artlink Magazine, Vol. 31, #3 p.89 (exhibition review)

Anne Ferran, “On Abjection and Love,” The Stain, Verge Gallery, The University of Sydney (exhibition catalogue)