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Dr Clare Milledge

Dr Clare Milledge

Senior Lecturer

 

 

2007-2013

Doctor of Philosophy, The Artist Shaman and “the Gift-of-Sight”, Sydney College of the Arts, The University of Sydney, Sydney  

Supervisors: Associate Professor Ann Elias and Matthys Gerber

2008 PhD candidate, Sydney College of the Arts, The University of Sydney/ Universität der Künste, Berlin 

Supervisors: Associate Professor Ann Elias and Matthys Gerber/Lothar Baumgarten

2006

Bachelor of Visual Arts (Painting), Honours 1, Sydney College of the Arts, The University of Sydney, Sydney and Statens Kunst Akademi, Oslo 

Supervisors: Matthys Gerber and Gunter Reski

2004-2005

Bachelor of Visual Arts (Painting), Sydney College of the Arts, The University of Sydney, Sydney

1999

Bachelor of Visual Arts (Foundation), The College of Fine Arts, The University of New South Wales, Sydney

 

Arts, Design & Architecture (ADA)
School of Art & Design

Dr Clare Milledge (b 1977) is a Senior Lecturer and artist, she lives and works in Warrang/Sydney Cove (AU) on unceded Bidjigal and Gadigal Country.

Distinguished for her hinterglasmalerei paintings—a reverse-glass technique rooted in Byzantine traditions—Milledge engages abstraction, fragmentation, and encryption, creating text-based, geometric and figurative paintings and installations. Using adapted fieldwork methodologies she draws upon and reimagines contemporary environments, cultivating a polymorphic visual language that unsettles conventional structures of knowledge within a shared material lexicon.

 

 



 

 
E-mail
c.milledge@unsw.edu.au
  • Journal articles | 2021
    Milledge C, 2021, 'WORKING WITH TRADITION: CLARE MILLEDGE’S REVERSE GLASS PAINTINGS', NGV Magazine, https://www.ngv.vic.gov.au/ngv-magazine/issue-26-jan-feb-2021-2/working-with-tradition-clare-milledges-reverse-glass-paintings/
  • Creative Works (non-textual) | 2024
    Milledge C, 2024, bramble-hound, heron-wound: two stone wolves, bramble-hound, heron-wound: two stone wolves, STATION Melbourne, 20 July 2024 - 24 August 2024, at: https://stationgallery.com/exhibition/bramble-hound-heron-wound-two-stone-wolves/?srsltid=AfmBOopJvDGyzxoa6UNjQfC0-azzdfhHGIYq83-_iMe5FTBvTIPk8Pd5
    Creative Works (non-textual) | 2023
    Milledge C, 2023, Imbás: a well at the bottom of the sea, Maluw Adhil Urngu Padanu Mamuy Moesik (Legends from the deep sitting peacefully on the waters) Selected works from the 23rd Biennale of Sydney: rīvus, Institute of Modern Art, 28 January 2023 - 28 April 2023, at: https://www.ima.org.au/exhibitions/maluw-adhil-urngu-padanu-mamuy-moesik-legends-from-the-deep-sitting-peacefully-on-the-waters/
    Creative Works (non-textual) | 2022
    Milledge C, 2022, Eidothea: immortal clones of the perlite deposits, Still Life, Buxton Contemporary, 02 June 2022 - 06 November 2022, at: https://buxtoncontemporary.com/exhibitions/still-life/
    Creative Works (non-textual) | 2022
    Milledge C, 2022, Imbás: a well at the bottom of the sea, Biennale of Sydney rīvus, Pier 2/3 Walsh Bay Hicksons Rd, 12 March 2022 - 13 May 2022, at: https://www.biennaleofsydney.art/
    Creative Works (non-textual) | 2021
    Milledge C, 2021, Dychymig Dychymig: tree alphabet, Dychymig Dychymig: Tree Alphabet, STATION gallery, Melbourne, 03 April 2021 - 01 May 2021, at: https://stationgallery.com.au/exhibitions/clare-milledge-2021
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Eidothea: Immortal Clones of the Perlite Deposits (Nightcap), Wakeful Consciousness, Disclaimer Journal, 01 November 2020 - 01 January 2021, medium: Poem on webpage, at: https://disclaimer.org.au/contents/from-wakefulness-to-consciousness/eidothea-immortal-clones-of-the-perlite-deposits-nightcap
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Eidothea: Immortal Clones of the Perlite Deposits, The Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition (Established), Sydney College of the Arts Gallery, Old Teachers College, Manning Road, Camperdown NSW 2006, 02 October 2020 - 13 November 2020, medium: Oil on stained glass, found tree parts,, at: https://www.sydney.edu.au/news-opinion/news/2020/10/02/fauvette-loureiro-memorial-scholarships.html
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Little shrike-thrush calling in the gully: in praise of shadows, LOVE(f)ART:#02 IN ISO, LOVEART, 61 Ocean St Woollahra NSW 2025, 09 September 2020 - 27 October 2020, medium: oil on toughened glass, lead, galvanised steel wire 47.5 x 46 cm five parts each, at: https://www.loveart.com/lovefart
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Police Camp: Passive Recreation Area, Police Camp: Passive Recreation Area, STATION, Suite 201, 20 Bayswater Road Potts Point, New South Wales 2011, 11 April 2020 - 09 May 2020, medium: 9 oil paintings on toughened glass with recycled hardwood frames, 2 acrylic paintings on walls., at: http://stationgallery.com.au/exhibitions/clare-milledge-2020
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Sacks of Wind: A Rock Harder Than Rock, NGV Triennial, National Gallery of Victoria, 19 December 2020 - 18 April 2021, medium: Oil on toughened glass, bronze, steel., at: https://www.ngv.vic.gov.au/exhibition/triennial-2020/
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Art as Fieldwork: Hot Spell on the Way, Second Sight: Witchcraft, Ritual, Power, University of Queensland Art Museum, 01 March 2019 - 29 June 2019, medium: Painting, installation, sound performance, at: https://art-museum.uq.edu.au/second-sight-witchcraft-ritual-power
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Cosmic Downloads: Institutional Agility and Moon Drawing Down, Ruler, rete, Arndt Art Agency, Fasenenstraße 28, Berlin 10719 Berlin, 26 April 2019 - 12 May 2019, medium: Oil on glass, bronze, at: https://stationgallery.com.au/exhibitions/ruler-rete
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Lunar Declension, Idle Worship, Lismore Regional Gallery, Australia, 17 August 2019 - 13 October 2019, medium: oil on glass, at: https://www.lismoregallery.org/cp_themes/default/page.asp?p=DOC-KBA-52-46-27#.XdM0BDIzagQ
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Pleasure Plants, Pleasure Plants, STATION, Sydney, 11 September 2019 - 26 October 2019, at: https://stationgallery.com.au/exhibitions/pleasure-plants
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Stations Direct and Xanthos Retrograde, Sydney Contemporary, Carriageworks, Sydney, Australia, 11 September 2019 - 15 September 2019, medium: oil on glass, recycled Australian hardwood, at: https://sydneycontemporary.com.au/program-sectors19/
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Antipodean Field Survey: Vertebrate calls Glenorchy, NZ and Oslo, NO 1.2.17 - 7.2.17, What Remains, Fotogalleriet, Oslo, Norway, 09 February 2017 - 19 March 2017, medium: acrylic on glass gallery windows, at: http://www.fotogalleriet.no/en/exhibitions/what-remains-exh
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Strigiformes: Binocular, Binaural I, Hot Pocket, Museet for Samtidskunst, Nasjonalmuseet, Oslo, 01 June 2017 - 01 June 2017, medium: Sound, performance, props, at: http://www.nasjonalmuseet.no/en/exhibitions_and_events/exhibitions/museum_of_contemporary_art/Tori+Wr%C3%A5nes.+Hot+Pocket.b7C_wBzM5g.ips
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Strigiformes: Binocular, Binaural II, Remedial Works, Perth Institute of Contemporary Arts, 11 November 2017 - 24 December 2017, at: http://pica.org.au/show/remedial-works/
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Ton Sur Ton; Rice Ambient Liquid Lens Soap, Crusted Heat, The Commercial Gallery, Redfern, 01 July 2017 - 29 July 2017, medium: Oil on glass, bronze, at: https://thecommercialgallery.com/artist/clare-milledge/exhibition/817/crusted-heat-christmann-ghaemi-milledge-perry
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Adelaide Biennial of Australian Art: Magic Object, Adelaide Biennial of Australian Art: Magic Object, Samstag Museum of Art, Adelaide, Australia, 27 February 2016 - 15 May 2016, at: http://adelaidebiennial.com.au/2016/artist/clare-milledge/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Arkhipovian Vessel, Dämmerschlaf, Artspace, Sydney, 28 January 2016 - 28 February 2016, medium: oil on glass, at: https://www.artspace.org.au/program/exhibitions/2016/daemmerschlaf/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Auckland Art Fair, Auckland Art Fair, The Cloud, Auckland, NZ, 25 May 2016 - 29 May 2016, at: http://www.thecommercialgallery.com/exhibition/auckland-art-fair-group-show-a5/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Dämmerschlaf, Dämmerschlaf, Artspace, 28 January 2016 - 28 February 2016, at: https://www.artspace.org.au/program/exhibitions/2016/daemmerschlaf/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, If you were a bread; if you were a coin; if you were a ninja; if you were a swing bridge, Sunday Punch, Sydney College of the Arts, 07 February 2016 - 07 February 2016, medium: pvc conduit, copper, silk, artists' beercaps, hessian, plastic fabric, cotton, hemp rope, bronze shackles, dried mandarin peel from a year looking at the sea, air dimensions variable, at: http://www.sundaypunch.com.au/#/clare-milledge/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Neverwhere/Erewhon, Neverwhere/Erewhon, Gaia Gallery (Istanbul), Margaret Lawrence Gallery (Melbourne), Horsham Regional Art Gallery (VIC), Warrnambool Art Gallery (VIC), Benalla Art Gallery (VIC), Latrobe Regional Gallery (VIC), 02 September 2016 - 11 March 2018, at: http://vca.unimelb.edu.au/engage/margaret-lawrence-gallery/untitled-curated-by-vikki-mcinnes
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self Reflexive Critique: Alpha Mu, The Mnemonic Mirror, UTS Gallery, Sydney, Australia, 10 May 2016 - 01 July 2016, medium: Acrylic on glass window in situ, at: http://art.uts.edu.au/index.php/exhibitions/the-mnemonic-mirror/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self Reflexive Critique: Iota, The Mnemonic Mirror, Griffith University Art Gallery, Brisbane, Australia, 10 May 2016 - 01 July 2016, medium: oil on glass, textiles, bronze, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self-Reflexive Critique: Abecedary (Melb), Gesture Manifest, Blindside Gallery, Melbourne, 20 July 2016 - 30 August 2016, medium: Acrylic on wall, at: http://www.liquidarchitecture.org.au/program/gesture-manifest/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self-Reflexive Critique: Alpha Lamda (Byron Bay), The Mnemonic Mirror, Griffith University Art Gallery, Brisbane, 08 December 2016 - 11 March 2017, medium: acrylic on glass window in situ, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, The Mnemonic Mirror, The Mnemonic Mirror, Griffith University Art Gallery (Brisbane), 08 December 2016 - 11 March 2017, medium: Acrylic on glass, oil on glass, bronze, paint rags, hand-dyed and painted hessian, recycled packaging, at: https://www.griffith.edu.au/art-museum/whats-on/past-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, War Memorial (VIC), The Mnemonic Mirror, Griffith University Art Gallery, 08 December 2016 - 11 March 2016, medium: oil on glass, textiles, bronze, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Academic Suspicions: Staging a Hermeneutics of Incommensurability, The Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Galleries, Sydney, 01 August 2015 - 30 October 2015, at: http://www.claremilledge.com/academic-suspicions-staging-a-hermeneutics
    Other | 2015
    Milledge C, 2015, ArtsNSW Professional Development funding – Artist Support, , http://www.arts.nsw.gov.au/index.php/funding-and-support/types-of-funding/professional-development-artist-support/
    Other | 2015
    Milledge C, 2015, Artspace 1 year studio residency,
    Other | 2015
    Milledge C, 2015, Australian Artist's Grant - NAVA,
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Behavioral Modernity, Behavioural Modernity, MuseumsQuartier, Vienna, Austria, 30 May 2015 - 31 July 2015, at: https://www.facebook.com/events/796218167127367/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Declaration and Submission, Fantasia Atmospheres (Grottoesque), Theoretical Headspeople, The Bright Future of a Headless Lettuce, Sydney Contemporary Art Fair, Carriageworks, Sydney, 10 September 2015 - 13 September 2015, medium: Oil on toughened glass, textiles, bronze, at: http://www.thecommercialgallery.com/exhibition/sydney-contemporary-group-show-a01/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Naughty Books, Writing Art, Artspace, Sydney, Australia, 25 June 2015 - 16 July 2015, medium: Oil on tempered glass, wood, at: http://www.artspace.org.au/program/ideas-platform/2015/writing-art-scott-donovan/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Neverwhere, Neverwhere, Gaia Gallery, Istanbul, Turkey, 14 August 2015 - 12 September 2015, at: http://asialink.unimelb.edu.au/arts/commissions-and-projects/current-commissions/neverwhere
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Paleo-Everything, Casual Conversation, Minerva, Sydney, Australia, 27 June 2015 - 08 August 2015, at: http://www.minervasydney.com/#casual-conversation
    Creative Works (non-textual) | 2015
    Milledge C, 2015, TPOLR, TPOLR, The Commercial Gallery, Sydney, Australia, 12 June 2015 - 04 July 2015, at: http://www.thecommercialgallery.com/exhibition/tpolr-cairns-gothe-snape-milledge-pulie-teague/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Thurifer's Cloak, Horse Blanket, Pestilent Unground; Epidemic Openness, Station Gallery, Melbourne, Australia, 26 September 2015 - 17 October 2015, medium: Oil on toughened glass, textiles, bronze, at: http://stationgallery.com.au/exhibitions/pestilent-unground-epidemic-openness
    Other | 2015
    Milledge C (ed.), 2015, ArtStart,
    Creative Works (non-textual) | 2014
    Milledge C; Lorange A; Hinterding J, 2014, Psychomagic: Dead Matters, Psychomagic: Dead Matters, 55 Sydenham Rd. Sydney, Australia, 19 September 2014 - 05 October 2014, at: http://www.55sydenhamrd.com/psychomagic-deadmatters
    Creative Works (non-textual) | 2014
    Milledge C, 2014, (in which Wickham plays the role of Ensnared Flyman and Milledge that of the Chelonian Pedometer), A Temporary Wriggle, Firstdraft, Sydney, 19 November 2014 - 12 December 2014, at: http://atemporarywriggle.com/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Altus Duel: Total Environment, Altus Duel: Total Environment, Gertrude Contemporary, Melbourne, Australia, 31 January 2014 - 01 March 2014, at: http://www.gertrude.org.au/exhibitions/gallery-11/past-14/altus-duel--total-environment.phps
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Anthropocene Solar Anus, OUI we, The Commercial Gallery, Sydney, 24 January 2014 - 08 March 2014, medium: oil on tempered glass, at: http://www.thecommercialgallery.com/exhibition/oui-we/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Discover Real Hope for the Future, Texit, ICAN, Sydney, 11 December 2014 - 03 January 2015, medium: oil on tempered glass, tempered mirror, hessian, frame, at: https://icanart.wordpress.com/2014/12/08/dec-2014-texit/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, One and Three Narcissi, BLACKMODULAR, Haines and Hinterding House, Lawson, Blue Mountains, 22 June 2014 - 22 June 2014, at: http://www.modernartprojects.org/
    Curatorial Outputs | 2014
    Milledge C, 2014, Psychomagic: Dead Matters, exhibited at: 55 Sydenham Rd, Sydney, 19 September 2014 - 05 October 2014, Psychomagic: Dead Matters, http://www.55sydenhamrd.com/psychomagic-deadmatters
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Theoretical Regression: A Warm Sheen Against Received Ideas, Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney, 24 October 2014 - 22 November 2014, at: http://www.claremilledge.com/9375/4580471/previously/theoretical-regression-a-warm-sheen-against-received
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Anthropocene Circle: Theory Theory, Anthropocene Circle: Theory Theory, Kalimanrawlins, Melbourne, 27 July 2013 - 31 August 2013, medium: oil on glass, at: http://www.claremilledge.com/anthropocene-circle-theory-theory
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Motivated Reasoning: Strategic, Tactical, Operational, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, Sydney, 22 March 2013 - 13 April 2013, medium: oil on glass, acrylic on walls, teak, mirror, at: http://www.thecommercialgallery.com/exhibition/motivated-reasoning-strategic-tactical-operational/
    Theses / Dissertations | 2013
    Milledge C, 2013, The Artist-Shaman and the Gift of Sight
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Unstable Parts in an Unfriendly Place, Unstable Parts in an Unfriendly Place, ICAN, Sydney, 12 December 2013 - 22 December 2013, at: https://icanart.wordpress.com/2013/12/10/dec-2013-unstable-parts-in-an-unfriendly-place/
    Creative Works (non-textual) | 2013
    Milledge C, 2013, When Will the End Come?, The Sleeping and the Dead, Sarah Scout Presents, Melbourne, 14 March 2013 - 13 April 2013, at: http://www.sarahscoutpresents.com/web/the-sleeping-and-the-dead/
    Creative Works (non-textual) | 2012
    Milledge C, 2012, Maximalist Ritualist, Maximalist Ritualist, Australian Experimental Art Foundation, Adelaide, 20 April 2012 - 19 May 2012, at: http://www.claremilledge.com/maximalist-ritualist
    Creative Works (non-textual) | 2011
    Milledge C, 2011, Cave Art: Retarded Transcendence, Cave Art: Retarded Transcendence, Peloton, Sydney, 04 August 2011 - 27 August 2011, medium: Oil on glass, video, sculpture, at: http://www.claremilledge.com/cave-art-retarded-transcendence
    Creative Works (non-textual) | 2010
    Milledge C, 2010, Lord Owl, Lord Owl, ICAN, Sydney, 19 March 2010 - 10 April 2010

 

 Year 

Grant value 

Name 

Event body 

2024 

$22,779.80 

Arts Projects for Individuals and Groups (application supported by UNSW School Seed Funding) 

Creative Australia 

2024 

$7,433.00 

CreateNSW funding 

CreateNSW 

2021 

$50,000.00 

Arts Projects for Individuals and Groups 

Creative Australia 

2018 

$26,870.00 

Arts Projects for Individuals and Groups 

Creative Australia 

2017 

$5,000.00 

Artist Support Round 2 

ArtsNSW 

2017 

$16,180.00 

Arts Projects for Individuals and Groups 

Creative Australia 

2015 

$5,000.00 

Artist Support Round 1 

ArtsNSW 

2015 

$10,000.00 

ArtStart Grant 

Creative Australia 

2014 

$1,250.00 

NSW Artists’ Grant Scheme 

ArtsNSW 

2010 

$10,000.00 

New Work Grant for Emerging Visual Artists 

Creative Australia 

2007-2010  

University Postgraduate Award, Sydney College of the Arts, The University of Sydney, Sydney

 

 

 

 

Significant exhibitions include: Knowing Otherwise, Monash University Museum of Art (2026); complex notophyll vine-forest: ground-proof, Lismore Regional Gallery (2025); From the Other Side, ACCA (2023); Living Patterns: Contemporary Australian Abstraction, QAGOMA (2023); Maluw Adhil Urngu Padanu Mamuy Moesik, IMA, Meanjin/Brisbane (2023); Still Life, Buxton Contemporary (2022); Second Sight: Witchcraft, Ritual, Power, UQ Art Museum (2019); Remedial Works, PICA (2017); Strigiformes: Binocular, Binaural, Museet for Samtidskunst, Nasjonalmuseet, Oslo, NO (2017); What Remains, Fotogalleriet, Oslo, NO (2017); and Dämmerschlaf, Artspace (2016). 

 

Milledge exhibited in the 23rd Biennale of Sydney: rīvus (2022); the NGV Triennial (2020); and Magic Object, Adelaide Biennial of Australian Art (2016). 

 

She was a four-time finalist in the Fauvette Loureiro Travelling Art Scholarship (2016, 2017, 2020, 2023) and a three-time finalist in the Helen Lempriere Travelling Art Scholarship (2007, 2008, 2010). Her work is held in major collections including the NGV, Buxton Contemporary, Monash University Museum of Art, University of Melbourne, and Artbank. 

She has undertaken residencies at Carriageworks, Sydney (2021), Artspace, Sydney (2015),  Cove Park, Scotland (2025). 

2024

Bronwyn Bailey-Charteris; The Hydrocene: Eco-Aesthetics in the Age of Water; pp. 105 – 128

Manchán Magan; ‘What is the preserving shrine?’ thoughts on Clare Milledge’s exhibition bramble-hound, heron-wound: two stone wolves. catalogue essay

Misong Kim; Adam Lee and Clare Milledge Bring Lore and Language to Light; Ocula in collaboration with Melbourne Art Foundation

Vanessa Francesca; Exhibition review: From The Other Side, Australian Centre for Contemporary Art; Artshub

 

2023

Josephine Mead; The Intuitive Abilities of Clare Milledge, Artguide, feature

ACCA, From the other side, catalogue 


2022

Emma Pinsent; Clare Milledge Imbas: a well at the bottom of the sea; BAM, feature, pp. 52 – 55 

Anabelle Lacroix; Circles of Resonance; Art Monthly Australasia, feature, pp. 72 – 79

Biennale of Sydney, rīvus a glossary of water catalogue

Miriam Cosic, ‘Sydney biennale 2022: amid floods arrives art with an urgent climate message’, The Guardian Australia, March

 

2020

Tom Melick, Living Annotations; NGV Triennial, catalogue: Pt 2 Illuminations, pp. 136 – 149

 

2019

Amelia Wallin; Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge; Artlink: Local Colour; Issue 39:1 | March 2019 pp. 30 – 35

 

2018

Anna Dunnill, ‘Sacks of wind: a rock harder than rock’, exhibition preview, Art Guide Australia, December 2018

Ned Reilly, ‘Vegesingularity’, Art + Australia, issue 3, (54.2): Unnaturalism, May 2018, pp. 54 – 63

 

2017

Anna Dunnill, ‘Remedial Works’, exhibition review, Runway Experimental Arts

Andreas Breivik and Victoria Duffee, ‘Clare Milledge at the Museum for Contemporary Art’, performance review, Vi ser på Kunst

‘Symposium: Clare Milledge’, Museum, Issue 7: Factory

Mandy Campbell; Eye-popping art comes to Laneway Sydney; The University of Sydney News

 

2016

Astrid Lorange, Reading Paintings and Poetry, Blackbox Manifold, Issue 16

Astrid Lorange, Alien Intimacy, exhibition text for Skara Thynge: Travelling Stock Reserves, The Commercial Gallery, Sydney

Magic Object: Adelaide Biennial, exhibition catalogue

Molly McPhee; Stigma: The Work of the Straightener; exhibition catalogue for Erewhon

Vikki McInnes; Dark Presents, Dark Futures; exhibition catalogue for Erewhon

Marian Tubbs, ‘Vortices and abstraction: and in the end relations’, Oberon, vol. 2, pp. 50 – 54

Craig Judd, ‘This Thing’, catalogue essay, Magic Object: Adelaide Biennial 

Sebastian Goldspink, ‘Elements: The Shaman’, catalogue essay, Magic Object: Adelaide Biennial

Craig Judd, ‘The Mnemonic Mirror’, Artlink, exhibition review, 3 June 2016

Jane Llewellyn; Adelaide Biennial 2016: Where the Magic Happens; The Adelaide Review

 

2015

Tom Melick, Sit on me, said the rock and I’ll speak, unpublished text for Behavioral Modernity, Vienna

Neha Kale, Searching for Meaning Amid the Mess, Vault Magazine, July 2015, Issue 10, pp. 18 – 19

 

2014

Tom Melick, A Speculative Dictionary for Clare Milledge, exhibition text for Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney

Kyla McFarlane, The Suppository of All Wisdom, Altus Duel: Total Environment, Gertrude Contemporary, Melbourne; exhibition catalogue essay

 

2013

Isobel Parker Phillip, Clare Milledge, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, 22 March – 13 April 2013, review, UN Projects, Issue 7.1 p. 19

 

2012

Catherine Bennetts-Cash, Un-Acclimatised, exhibition catalogue, Monash University Museum of Art, Melbourne

 

2011

Margaret Farmer, Bad Angle, review, Artlink Magazine, Vol. 31, #3 p. 89

Anne Ferran, On Abjection and Love, exhibition catalogue for The Stain, Verge Gallery, The University of Sydney, Sydney

The Helen Lempriere Travelling Art Scholarship, exhibition catalogue, Artspace, Sydney

 

2009

Ian Houston-Shadwell, Art is not Epistemology, exhibition catalogue, The Last Visible Dog, Grantpirrie, Sydney

Biljana Jancic, In The Manner Of Excess, exhibition catalogue, From the Scrapheap of False Metaphors and Other Draft Deceits, Gallery 9, Sydney

 

2008

The Helen Lempriere Travelling Art Scholarship, exhibition catalogue, Artspace, Sydney

Alison Kubler, As Black as Stone, exh. cat. Neo Goth: Back in Black, University of Queensland Art Museum, Brisbane

 

2006

Verk/Work, exh. cat., Office of Contemporary Art Norway and Nordisk Kulturfond

My Research Supervision

Current

Benita Newberry Laylim (MFA) primary with secondary Di Baker Smith 

Elaine Su-Hui Chew (MFA) joint with Di Baker Smith

Remy Faint (MFA) secondary with primary Felicity Fenner

Fiona Macpherson (MFA) joint with Tim Gregory

Felix Cehak (PhD) joint with Dr Izabela Pluta, "Birdsong in the Australian Rainforest: Natural History in Contemporary Art Practice. How can the intersection of contemporary art and folk conservation practices communicate ecological knowledge, with a specific focus on the Albert's Lyrebird."

 

Previous Supervisions:

Anthea Caddy (PhD) secondary with primary Caleb Kelly

Aulia Ibrahim Yeru (PhD) joint with Associate Professor Felicity Fenner, "Bentang Sungai | Riverscape: Art and Ecology as Spatial Practice."

Bronwyn Bailey-Charteris (PhD), secondary with Associate Professor Felicity Fenner, "The Hydrocene: Curatorial theory of the confluence of art, water and the climate crisis in eco-aesthetics."

Jacqui Driver (MFA), joint with Professor Jill Bennett, "The Mothering Thicket: Investigating the Impact of Trans-generational Trauma through Installation Based Print Practice."

Megan Hanson (MFA) joint with Debra Phillips, "‘I' am not one: co-producing the nomadic subject at the intersection of art and fashion".

Genevieve Reynolds (MFA) joint with Dr Grant Stevens, "Godflesh: The Impact of Digital Image Technologies and Interfaces on Representations of Space in Contemporary Painting".

Min Wong (MFA) joint with Dr Grant Stevens, "Revisiting esoteric traditions and practices through contemporary sculptural practice".

Jana Hawkins-Andersen (MFA) joint with Dr Lindsay Kelley

Lisa Sammut (MFA) joint with Dr Tim Gregory