Associate Professor Paul Dawson

Associate Professor Paul Dawson

Deputy Head of School

PhD (University of Melbourne), MA (Writing) (University of Queensland)

Arts,Design & Architecture
School of the Arts and Media

Paul Dawson is a writer of poetry and fiction, and an internationally recognized scholar in the fields of narrative theory, novel studies, and Creative Writing as an academic discipline.

Paul’s second collection of poetry, Lines of Desire, is forthcoming with Puncher and Wattmann in 2024. His first book, Imagining Winter (Interactive Press, 2006), won the 2006 national IP Picks Best Poetry Award. Paul's poetry has been anthologised in Contemporary Asian Australian Poets (Puncher and Wattmann, 2013) and Harbour City Poems: Sydney in Verse 1788-2008 (Puncher & Wattmann, 2009). Paul was shortlisted for the 2016 Newcastle Poetry Prize and his poems and short stories have appeared in a range of literary journals and newspapers including: MeanjinOverland, IslandSoutherlyWesterlyCordite Poetry Review, Australian Poetry Journal, Mascara Literary Review, Peril MagazineAustralian Poetry AnthologyThe Sleeper's Almanac, and The Sydney Morning Herald.

Paul's scholarly research brings together the historical dimension of novel studies and the formalist approach of narrative theory. This approach informs his two most recent monographs. The Story of Fictional Truth: Realism from the Death to the Rise of the Novel (OSU Press, 2023) interrogates how changing concepts of fictionality have shaped the realist novel from its emergence in the eighteenth century to its afterlife in the twenty-first, contesting and revising long-held views about the origins and aesthetico-cultural functions of key formal features of realism by investigating when and how they came to be seen as signposts of fictionality. The Return of the Omniscient Narrator: Authorship and Authority in Twenty-first Century Fiction (OSU Pess, 2013) identifies and anatomizes contemporary modes of literary omniscience emerging from the legacy of postmodern experimentation and locates these in relation to anxieties about the decline of cultural authority for the novelist in the age of digital media.

Paul’s broader research addresses the role of narrative in the networked public sphere, from viral social movements to conspiracy theories and journalistic rhetoric. He is co-editor, with Maria Mäkelä, of the Routledge Companion to Narrative Theory (2022) which brings together top scholars in the field to explore the significance of narrative to pressing social, cultural, and theoretical issues today, and is distinctive for addressing the complicated relations between the interdisciplinary narrative turn in the academy and the contemporary boom of instrumental storytelling in the public sphere.

Paul's first monograph was Creative Writing and the New Humanities (Routledge, 2005), a comprehensive international account of the historical origins, theoretical underpinnings, and disciplinary future of Creative Writing programmes. 

Paul is currently immediate past President of the International Society for the Study of Narrative.

Paul is available to supervise students in narrative theory and novel history, contemporary fiction and poetry, and creative writing.

 

Books
Lines of Desire. Newcastle: Puncher & Wattmann (forthcoming)

 

The Story of Fictional Truth: Realism from the Death to the Rise of the Novel. Columbus: Ohio State University Press, 2023.

 

The Return of the Omniscient Narrator: Authorship and Authority in Twenty-first Century Fiction. Columbus: Ohio State University Press, 2013.

 

Imagining Winter. Brisbane: Interactive Press, 2006.

 

Creative Writing and the New Humanities. London/New York: Routledge, 2005.

 

Edited collections
(with Maria Mäkelä) The Routledge Companion to Narrative Theory. New York: Routledge, 2022. https://doi.org/10.4324/9781003100157

 

“Narrative Theory and the History of the Novel.” Special issue of Poetics Today 39.1 (2018). https://read.dukeupress.edu/poetics-today/issue/39/1
 

Book Chapters 

“Bad Press: The Rhetoric of Narrative in Public Discourse.” Dangers of Narrative and Fictionality in Contemporary Western Culture: A Rhetorical Approach. Eds Samuli Björninen, Pernille Meyer Christensen, Maria Mäkelä, and Henrik Skov Nielsen. Bern: Peter Lang (forthcoming).

 

“The Anxiety of Authorship: Novelists as Narrators.” Reading the Contemporary Author: Narrative, Authority, Fictionality. Eds Alison Gibbons and Elizabeth King. Lincolon: Nebraska University Press, 2023. 179-97.

 

“What is ‘the Narrative’? Conspiracy Theories and Journalistic Emplotment in the Age of Social Media.” The Routledge Companion to Narrative Theory. Eds Paul Dawson and Maria Mäkelä. New York: Routledge, 2022. 71-85.

 

“The Undead Novel: A History of Prose Fiction or a History of Realism?” The Routledge Companion to Narrative Theory. Eds Paul Dawson and Maria Mäkelä. New York: Routledge, 2022. 221-34.

 

“How Many ‘Turns’ Does it Take to Change a Discipline?: Narratology and the Interdisciplinary Rhetoric of the Narrative Turn.” Emerging Vectors of Narratology. Eds Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Narratologia series. Berlin: De Gruyter, 2017. 405-34.

 

“Fictional ‘Word Bytes’.” Word Bytes: Writing in the Information Society. Ed. Carolyne Lee. Melbourne: Melbourne University Press, 2009. 138-56.

 

“The Future of Creative Writing.” The Creative Writing Handbook. Ed. Steve Earnshaw. Edinburgh: University of Edinburgh Press, 2007. 78-90.

 

“Writers, Critics, and Literary Authority.” Creative Writing: Theory Beyond Practice. Eds Nigel Krauth and Tess Brady. Brisbane: Post Pressed, 2006. 21-31.

 

Journal Articles

"Who Controls 'the Narrative'? Journalistic Emplotment and Political Discourse in the Networked Public Sphere." Journalism (2024). https://doi.org/10.1177/14648849241231682

 

"Creativity, Narrativity, Fictionality: A Critical Genealogy." Partial Answers: Journal of Literature and the History of Ideas 22.1 (2024). 1-26. https://doi.org/10.1353/pan.2024.a916697

 

"Hashtag Narrative: Emergent Storytelling and Affective Publics in the Digital Age." International Journal of Cultural Studies (May 2020): 968-83. https://doi.org/10.1177/1367877920921417

 

(with Maria Mäkelä) "The Story Logic of Social Media: Co-construction and Emergent Narrative Authority." Style 54.1 (2020): 21-35.

 

“Fictional Minds and Female Sexuality: The Consciousness Scene from Pamela to Lady Chatterley’s Lover.” ELH 86.1 (2019): 161-88.

 

"Rhetorical Poetics: Between Creative Writing and Deconstruction." Style 52.1-2 (2018): 66-72.

 

"Narrativizing Novel Studies, Historicizing Narrative Theory." Introduction to special issue on Narrative Theory and the History of the Novel. Poetics Today 39.1 (2018): 1-16. https://doi.org/10.1215/03335372-4265035

 

“Delving into the Narratological ‘Toolbox’: Concepts and Categories in Narrative Theory.” Style 51.2 (2017): 228-46

.

"From Digressions to Intrusions: Authorial Commentary in the Novel." Studies in the Novel 48.2 (2016): 145-67.

 

"Ten Theses Against Fictionality." Narrative 23.1 (2015): 74-100.

 

“Style, the Narrating Instance, and the ‘Trace’ of Writing.” Style 47.4 (2013): 466-89.


“Emerging Vectors of Narratology: Toward Consolidation or Diversification? (A Response).” Enthymema 9 (2013): 109-114  https://riviste.unimi.it/index.php/enthymema/article/view/3533 


“Real Readers and Real Authors: Omniscient Narration and a Discursive Approach to the Narrative Communication Model.” Journal of Narrative Theory 42.1 (2012): 91-116.

 

“The Return of Omniscience in Contemporary Fiction.” Narrative 17.2 (May 2009): 143-161. 
    * Winner of 2010 Prize for Best Essay published in Narrative
    * Italian translation (with an introduction by Filippo Pennacchio) in Enthymema 13 (2015): 37-63.

 

“State of Play: Australian Poetry and Poetics Now.” Five Bells: Australian Poetry 15.4 & 16.1 (2009): 30-39.

 

“Historicizing Craft in the Teaching of Fiction.” New Writing: International Journal for the Practice and Theory of Creative Writing 5.3 (2008): 211-224.

 

“Creative Writing and Postmodern Interdisciplinarity.” TEXT 12.1 (2008): http://www.textjournal.com.au/april08/dawson.htm

 

"What is a Literary Intellectual?: Creative Writing and the New Humanities." Cultural Studies Review 9.1 (2003): 161-79.

 

“Towards a New Poetics in Creative Writing Pedagogy.” TEXT 7.1 (2003): http://www.textjournal.com.au/april03/dawson.htm

 

"A Place for the Space Between: Fictocriticism and the University." Westerly 47 (2002): 139-51.

 

"Creative Writing in Australia: The Development of a Discipline." TEXT 5.1 (2001): http://www.textjournal.com.au/april01/dawson.htm

 

“Writing Programmes in Australian Universities: Creative Art or Literary Research?” TEXT 3.1 (1999): http://www.textjournal.com.au/april99/dawson.htm

 

“Poetics in the Discipline of Creative Writing.” Southerly 58.4 (1998-99): 8-21.

 

“Grunge Lit: Marketing Generation X.” Meanjin 56.1 (1997): 119-25.

 

“The Function of Critical Theory in Tertiary Creative Writing Programmes." Southern Review 30.1 (1997): 70-80.

 

Poetry

"Inflections." StlyusLit 15 (March 2024): https://styluslit.com/poetry/inflections/

 

"Submittable." Cordite Poetry Review 108 (2023): http://cordite.org.au/poetry/dedication/submittable/

 

"Triptych." Meanjin 81.4 (2022): 156. 

 

"Thanks for the Poems, Covid-19," Mascara Literary Review 26 (2021): http://mascarareview.com/paul-dawson/

 

"#auspol." Cordite Poetry Review 97 & 98 (2020):  http://cordite.org.au/poetry/propaganda/auspol/

 

"Songbirds after the Lyric." Stilts 7 (April 2020). https://www.stiltsjournal.com/single-post/2020/04/28/Songbirds-after-the-Lyric

 

"Name = Compatibility Mode." Westerly 64.2 (2019): 66-7.

 

"Contemplating Dumplings." Peril Magazine 39 (2019): https://peril.com.au/current-edition/edition-39/contemplating-dumplings/

 

"#Emergence." Meanjin 78.2 (2019): 71. https://meanjin.com.au/poetry/emergence/

 

“Lover Nature.” Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World. Eds Prudence Gibson and Baylee Brits. Santa Barbara: Punctum Books, 2018. 45.

 

“The Men Who Hate Clementine Ford.” Cordite Poetry Review 86 (2018). Online. http://cordite.org.au/poetry/notheme7/the-men-who-hate-clementine-ford/

 

"Ten Poetic Commandments." Island Magazine 149 (2017): 88-9.

 

"The Wreck of the Heartland." Mascara Literary Review 20 (April 2017). Online. http://mascarareview.com/5781-2/

 

“Five Lines Can Say Only.” Australian Poetry Journal 6.2 (2016): 113.

 

“Declaration of the Rights of Rights.” The Dangar Island Garbage Boat: Newcastle Poetry Prize Anthology 2016.  Newcastle: Hunter Writers Centre, 2016. 101-104.

 

"Fictionality." Meanjin 75.1 (2016): 89. https://meanjin.com.au/poetry/fictionality/

 

"Musing." Australian Poetry Anthology. Volume 4. Eds Sarah Holland-Batt and Brook Emery. Melbourne: Australian Poetry Ltd, 2015. 96-97.

 

“Reading Hopkins,” “Dickinson’s Envelope”, “Possible Worlds”, Sydney”, “Thanks for the Poems, Pauline Hanson” (extract). Contemporary Asian Australian Poets. Eds Adam Aitken, Kim Boey Cheng, and Michelle Cahill. Sydney: Puncher and Wattmann, 2013. 107-12.

 

“Possible Worlds.” Australian Poetry Journal 1.1 (2011): 18.

 

“Lines of Desire.” Snorkel 12 (October 2010). Online.  http://snorkel.org.au/012/dawson.html

 

“Thanks for the Poems, Pauline Hanson” (extract). Harbour City Poems: Sydney in Verse 1788-2008. Ed. Martin Langford. Sydney: Puncher and Wattmann, 2009. 205-206.

 

“Daybreak.” Southerly 66.1 (2006): 43-44.

 

“Imagining Winter.” Blue Dog: Australian Poetry 2.4 (2003): 38.

 

"Sydney," "Adrift", "Gutter Buns." Slope 15 (2002). Online. http://www.slope.org/archive/issue15/index.phtml?url=dawson

 

"Anthropomorphism," "Morningside," "Yabbering Sextons," "Thanks for the Poems, Pauline Hanson," and "Lunatic Brothel." Recent Australian Poetry section of Slope 11-12 (July to October 2001). Online. http://www.slope.org/archive/eleven/dawson.html

 

“Show Me the Rain.” The Sydney Morning Herald 3 October 1998: Spectrum 12.

 

Fiction
“Australian Academic.” Overland 206 (2012): 65-71. https://overland.org.au/previous-issues/issue-206/fiction-paul-dawson/

 

“Countershading.” Sleepers Almanac No. 7 (2011). 345-9.

 

“The Death of a Beautiful Woman” (extract from novel in progress). Southerly 70.2 (2010): 144-58.

 

“A Gun in Your Pocket.” Island 96 (2004): 133-136.

 

“Thomas Pennington’s Fetich.” Meanjin 63.1 (2004): 200-210.

 

"Traffic.” Imago: New Writing 11.3 (1999): 53-7.

 

“Who Are You Calling Bohemian?” Sydney City Hub 2.35 (April 1997): 9.

 

Phone
+61 2 9385 2220
Location
218, Level 2 Robert Webster
  • Books | 2023
    Dawson P, 2023, The Story of Fictional Truth: Realism from the Death to the Rise of the Novel, The Ohio State University Press, Columbus, Ohio
    Books | 2013
    Dawson P, 2013, The Return of the Omniscient Narrator: Authorship and Authority in Twenty-first Century Fiction, The Ohio State University Press, Columbus, https://ohiostatepress.org/index.htm?books/book%20pages/Dawson%20Return.html
    Books | 2005
    Dawson PA, 2005, Creative Writing and the New Humanities, Routledge Press, London
  • Book Chapters | 2023
    Dawson P, 2023, 'The Anxiety of Authorship: Novelists as Narrators', in Gibbons A; King E (ed.), Reading the Contemporary Author: Narrative, Authority, Fictionality, University of Nebraska Press, pp. 179 - 197, https://www.nebraskapress.unl.edu/nebraska/9781496234612/#:~:text=Bringing%20together%20the%20perspectives%20of,are%20necessary%20to%20capture%20the
    Book Chapters | 2022
    Dawson P; Mäkelä M, 2022, 'INTRODUCTION: Narrative Today: Telling Stories in a Post- Truth World', in The Routledge Companion to Narrative Theory, pp. 1 - 7, http://dx.doi.org/10.4324/9781003100157-1
    Book Chapters | 2022
    Dawson P, 2022, 'The Undead Novel: A History of Realism or a History of Prose Fiction?', in Dawson P; Mäkelä M (ed.), The Routledge Companion to Narrative Theory, Routledge, New York, pp. 221 - 234, http://dx.doi.org/10.4324/9781003100157-21
    Book Chapters | 2022
    Dawson P, 2022, 'What is 'The Narrative'?: Conspiracy Theories and Journalistic Emplotment in the Age of Social Media', in Dawson P; Mäkelä M (ed.), The Routledge Companion to Narrative Theory, Routledge, New York, pp. 71 - 85, http://dx.doi.org/10.4324/9781003100157-8
    Book Chapters | 2017
    Dawson PA, 2017, 'How Many 'Turns' Does it Take to Change a Discipline? Narratology and the Interdisciplinary Rhetoric of the Narrative Turn', in Hansen PK; Pier J; Roussin P; Schmid W (ed.), Emerging Vectors of Narratology, edn. Narratologia, Walter de Gruyter, Berlin, pp. 405 - 434
    Book Chapters | 2014
    Dawson P, 2014, 'The future of creative writing', in The Handbook of Creative Writing: Second Edition, pp. 78 - 90
    Book Chapters | 2007
    Dawson PA, 2007, 'The Future of Creative Writing', in Earnshaw S (ed.), The Handbook of Creative Writing, Edinburgh University Press, Edinburgh, pp. 78 - 90
    Book Chapters | 2006
    Dawson PA, 2006, 'Writers, Critics and Literary Authority', in Creative Writing: Theory Beyond Practice, edn. Original, Post Pressed, Teneriffe, pp. 21 - 31
  • Edited Books | 2022
    Dawson P; Mäkelä M, (ed.), 2022, The Routledge Companion to Narrative Theory, Routledge, New York, http://dx.doi.org/10.4324/9781003100157
  • Journal articles | 2024
    Dawson P, 2024, 'Creativity — Narrativity — Fictionality: A Critical Genealogy', Partial Answers, 22, pp. 1 - 26, http://dx.doi.org/10.1353/pan.2024.a916697
    Journal articles | 2024
    Dawson P, 2024, 'Who controls ‘the narrative’? journalistic emplotment and political discourse in the networked public sphere', Journalism: theory, practice and criticism, http://dx.doi.org/10.1177/14648849241231682
    Journal articles | 2020
    Dawson P; Mäkelä M, 2020, 'The Story Logic of Social Media: Co-construction and Emergent Narrative Authority', Style (DeKalb), 54, pp. 21 - 35, http://dx.doi.org/10.5325/style.54.1.0021
    Journal articles | 2020
    Dawson P, 2020, 'Hashtag Narrative: Emergent Storytelling and Affective Publics in the Digital Age', International Journal of Cultural Studies, 23, pp. 968 - 983, http://dx.doi.org/10.1177/1367877920921417
    Journal articles | 2020
    Dawson P, 2020, 'Hashtag narrative: Emergent storytelling and affective publics in the digital age', International Journal of Cultural Studies, 23, pp. 968 - 983, http://dx.doi.org/10.1177/1367877920921417
    Journal articles | 2019
    Dawson P, 2019, 'Fictional Minds and Female Sexuality: The Consciousness Scene from Pamela to Lady Chatterley's Lover', ELH: English Literary History, 86, pp. 161 - 188, http://dx.doi.org/10.1353/elh.2019.0006
    Journal articles | 2018
    Dawson P, 2018, 'Rhetorical poetics: Between creative writing and deconstruction', Style, 52, pp. 66 - 72, http://dx.doi.org/10.1353/sty.2018.0009
    Journal articles | 2018
    Dawson PA, 2018, 'Narrativizing Novel Studies, Historicizing Narrative Theory', Poetics Today: International Journal for Theory and Analysis of Literature and Communication, 39, pp. 1 - 16, http://dx.doi.org/10.1215/03335372-4265035
    Journal articles | 2017
    Dawson P, 2017, 'Delving into the narratological "toolbox": Concepts and categories in narrative theory', Style, 51, pp. 228 - 245, http://dx.doi.org/10.1353/sty.2017.0016
    Journal articles | 2017
    Dawson PA, 2017, 'Delving into the Narratological "Toolbox": Concepts and Categories in Narrative Theory', Style (DeKalb), 51, pp. 228 - 245, http://dx.doi.org/10.5325/style.51.2.0228
    Journal articles | 2016
    Dawson P, 2016, 'From digressions to intrusions: Authorial commentary in the novel', Studies in the Novel, 48, pp. 145 - 167, http://dx.doi.org/10.1353/sdn.2016.0025
    Journal articles | 2015
    Dawson P; Pennacchio F, 2015, 'The return of omniscience in contemporary fiction', ENTHYMEMA-INTERNATIONAL JOURNAL OF LITERARY CRITICISM LITERARY THEORY AND PHILOSOPHY OF LITERATURE, pp. 37 - 44, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000376884300003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
    Journal articles | 2015
    Dawson P, 2015, 'The return of omniscience in contemporary fiction', ENTHYMEMA-INTERNATIONAL JOURNAL OF LITERARY CRITICISM LITERARY THEORY AND PHILOSOPHY OF LITERATURE, pp. 45 - 63, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000376884300004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
    Journal articles | 2015
    Dawson PA, 2015, 'Ten Theses Against Fictionality', Narrative, 23, pp. 74 - 100, http://dx.doi.org/10.1353/nar.2015.0006
    Journal articles | 2013
    Dawson PA, 2013, 'Emerging Vectors of Narratology: Toward Consolidation or Diversification? (A Response).', Enthymema, pp. 109 - 114, http://riviste.unimi.it/index.php/enthymema/article/view/3533
    Journal articles | 2013
    Dawson PA, 2013, 'Style, the Narrating Instance, and the 'Trace' of Writing', Style (DeKalb), 47, pp. 466 - 489
    Journal articles | 2012
    Dawson P, 2012, 'Real Authors and Real Readers: Omniscient Narration and a Discursive Approach to the Narrative Communication Model', Journal of Narrative Theory, 42, pp. 91 - 116
    Journal articles | 2009
    Dawson P, 2009, 'State of Play: Australian Poetry and Poetics Now', Five Bells, 15 & 16, pp. 30 - 39
    Journal articles | 2009
    Dawson PA, 2009, 'The Return of Omniscience in Contemporary Fiction', Narrative, 17, pp. 143 - 161
    Journal articles | 2008
    Dawson PA, 2008, 'Creative Writing and Postmodern Interdisciplinarity', Text: Journal of the Australian Association of Writing Programs. http://www.gu.edu.au/school/art/text/april03/dawson.htm, 12, pp. online, http://www.textjournal.com.au/april08/dawson.htm
    Journal articles | 2008
    Dawson PA, 2008, 'Historicising `Craft` in the Teaching of Fiction', New Writing: the International Journal for the Practice and Theory of Creative Writing, 5, pp. 211 - 224
    Journal articles | 2003
    Dawson PA, 2003, 'Review of `Skinned by Light` by Anthony Lawrence', Blue Dog: Australian Poetry, Vol., pp. 72 - 73
    Journal articles | 2003
    Dawson PA, 2003, 'Towards a New Poetics in Creative Writing Pedagogy', Text : Journal of Writing and Writing Courses, 7, pp. 1 - 20, http://www.textjournal.com.au/april03/dawson.htm
    Journal articles | 2003
    Dawson PA, 2003, 'What is a Literary Intellectual? Creative Writing and the New Humanities', Cultural Studies Review, Vol., pp. 161 - 179
    Journal articles | 2002
    Dawson PA, 2002, 'A Place for the Space Between: Fictocriticism and the University', Westerly, 47, pp. 139 - 151
    Journal articles | 2002
    Dawson PA, 2002, 'Review of The Artist is a Thief by Stephen Gray', Text: Journal of the Australian Association of Writing Programs. http://www.gu.edu.au/school/art/text/april03/dawson.htm, 6
    Journal articles | 2002
    Dawson PA, 2002, 'Untitled letter to the Editor', Blue Dog: Australian Poetry, 1, pp. 8 - 10
  • Creative Written Works | 2023
    Dawson P, 2023, Submittable, MacCarter K; Patterson L; Garcia-Dolnik L, (eds.), Cordite Publishing Inc., http://cordite.org.au/poetry/dedication/submittable/
    Creative Written Works | 2022
    Dawson P, 2022, Triptych, Meanjin, Green J; Lea B, (ed.), Melbourne University Publishing, https://meanjin.com.au/poetry/triptych/
    Creative Written Works | 2021
    Dawson P, 2021, Thanks for the Poems, Covid-19, Mascara Literary Review, Young A; Nair M, (ed.), https://www.mascarareview.com/paul-dawson/
    Creative Written Works | 2020
    Dawson P, 2020, #auspol, Cordite Poetry Review, Groth S; Breeze M, (ed.), Cordite Publishing Inc., http://cordite.org.au/poetry/propaganda/auspol/
    Creative Written Works | 2020
    Dawson P, 2020, Songbirds after the Lyric, Stilts Journal, O'Grady E; Jeffery E, (ed.), Stilts Journal, https://www.stiltsjournal.com/single-post/2020/04/28/Songbirds-after-the-Lyric
    Creative Written Works | 2019
    Dawson P, 2019, #Emergence, Meanjin, Lea B; Green J, (ed.), Melbourne University Publishing, https://meanjin.com.au/poetry/emergence/
    Creative Written Works | 2019
    Dawson P, 2019, Contemplating Dumplings, Peril Magazine, Gill M, (ed.), Peril Magazine Inc., https://peril.com.au/back-editions/edition-39/contemplating-dumplings/
    Creative Written Works | 2019
    Dawson P, 2019, Name = Compatibility Mode, Westerly, Atherton C; Noske C, (ed.), https://westerlymag.com.au/digital-archive/
    Creative Written Works | 2018
    Dawson P, 2018, Lover Nature, Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World, Gibson P; Brits B, (ed.), Punctum Books, https://www.amazon.com/Covert-Plants-Vegetal-Consciousness-Anthropocentric/dp/1947447696
    Creative Written Works | 2018
    Dawson PA, 2018, The Men Who Hate Clementine Ford, Cordite Poetry Review, Gorton L; MacCarter K, (ed.), Cordite Publishing Inc., http://cordite.org.au/poetry/notheme7/the-men-who-hate-clementine-ford/
    Creative Written Works | 2017
    Dawson PA, 2017, Ten Poetic Commandments, Island Magazine, Holland-Batt S; Field V, (ed.), Island Magazine
    Creative Written Works | 2017
    Dawson PA, 2017, The Wreck of the Heartland, Mascara Literary Review, Cahill M, (ed.), Mascara Poetry Inc., http://mascarareview.com/5781-2/
    Creative Written Works | 2016
    Dawson PA, 2016, Declaration of the Rights of Rights, The Dangar Island Garbage Boat: Newcastle Poetry Prize Anthology 2016, Hunter Writers Centre and University of Newcastle
    Creative Written Works | 2016
    Dawson PA, 2016, Fictionality, Meanjin, Melbourne University Publishing, https://meanjin.com.au/poetry/fictionality/
    Creative Written Works | 2016
    Dawson PA, 2016, Five Lines Can Say Only, Australian Poetry Journal, Sharkey M, (ed.), Australian Poetry Ltd.
    Creative Written Works | 2015
    Dawson PA, 2015, Musing, Australian Poetry Anthology, Volume 4, Holland-Batt S; Emery B, (ed.), Australian Poetry LImited
    Creative Written Works | 2013
    Dawson P, 2013, "Dickinson's Envelope", Contemporary Asian Australian Poets, Aitken A; Boey KC; Cahill M, (eds.), Puncher & Wattmann
    Creative Written Works | 2013
    Dawson P, 2013, "Reading Hopkins", Contemporary Asian Australian Poets, Aitken A; Boey KC; Cahill M, (eds.), Puncher & Wattmann
    Creative Written Works | 2012
    Dawson P, 2012, Australian Academic : Are English professors the new celebrity sex symbols?, Overland, O L Society Limited, http://overland.org.au/previous-issues/issue-206/fiction-paul-dawson/
    Creative Written Works | 2011
    Dawson P, 2011, Countershading, The Sleepers Almanac No. 7, Dattner Z; Swinn L, (ed.), Sleepers Publishing
    Creative Written Works | 2011
    Dawson P, 2011, Possible Worlds, Australian Poetry Journal, Lea B, (ed.), Australian Poetry Limited
    Creative Written Works | 2010
    Dawson P, 2010, Lines of Desire, Snorkel, Vidler C; Riemer N, (ed.), http://snorkel.org.au/012/dawson.html
    Creative Written Works | 2010
    Dawson P, 2010, The Death of a Beautiful Woman, Southerly, Brooks D; McMahon E, (ed.), Brand & Schlesingler
    Creative Written Works | 2006
    Dawson PA, 2006, Daybreak, Southerly, Brandl & Schelsinger
    Creative Written Works | 2006
    Dawson PA, 2006, Imagining Winter, Imagining Winter, Interactive Press
    Creative Written Works | 2004
    Dawson PA, 2004, "Thomas Pennington's Fetich", Meanjin, Meanjin Company Ltd
    Creative Written Works | 2003
    Dawson PA, 2003, Imagining Winter, Blue Dog: Australian Poetry
    Creative Written Works | 2002
    Dawson PA, 2002, Adrift, Slope 15 http://www.slope.org.au/archive/issue15, Paquin E; Farrell M, (ed.), Slope
    Creative Written Works | 2002
    Dawson PA, 2002, Gutter Buns, Slope 15 http://www.slope.org.au/archive/issue15, Paquin E; Farrell M, (ed.), Slope
    Creative Written Works | 2002
    Dawson PA, 2002, Sydney, Slope 15 http://www.slope.org.au/archive/issue15, Paquin E; Farrell M, (ed.), Slope, http://www.slope.org.au/archive/issue15

2011-2013      Australian Research Council Discovery Project Grant. Research project title: “The return of the omniscient narrator in contemporary fiction: authorship and narrative authority in the new millennium” (DP110100721)

 

2023 - The Australian's Research Awards: national field leader in Literature and Writing

2022 - The Australian's Research Awards: national field leader in Literature and Writing

2012 - UNSW Arc Postgraduate Council Supervisor Award
2011 - UNSW Vice-Chancellor’s Award for Excellence in Postgraduate Research Supervision
2010 - Winner of prize for Best Essay Published in Narrative in 2009 (awarded by the International Society for the Study of Narrative)
2006 - Winner of national IP Picks Best Poetry Award (for an unpublished manuscript; awarded by Interactive Press)

 

International Society for the Study of Narrative
European Narratology Network

PROFESSIONAL SERVICE

2021-2024 - President of the International Society for the Study of Narrative (four-year cycle from second Vice-President to Past President)

2006 - Project assessor for the Australian Research Council
2006 - Academic referee for New Writing: International Journal for the Practice and Theory of Creative Writing
2004 - Academic referee for TEXT: Journal of Writing and Writing Courses  
2010  Member of National Advisory Council for Australian Poetry
2003-2009 - Member of editorial board for Juvenilia Press

My Research Supervision

 

CURRENT SUPERVISIONS (PhD)

  • Xanthe Muston, "Narrative and the Climate Crisis"
  • Shaye Easton, "Metalepsis and the Fictionalisation of the Reader in Borgesian Fiction"
  • Sam Rhodes, "Bibliosmia" (novel) and "The Cynicism and Ecstasy of Laughter: Humour in Literature after the Internet"
  • Axel-Nathaniel Rose, "Equinox; or, the Spirit of the Age" (novel) and "Desire is no Light Thing: Parallel Posts and the Role of Literature on Tumblr"
  • Nakita Dass, "Young and Less Known" (novel) and "The Transnational Autofictional Novel"
  • Dylin Hardcastle, "A Language of Limbs" (novel) and untitled dissertation 
  • Naomi Telushkin, "The Prophet" (fiction) and "David Grossman and Divergent Narratives: Possible Worlds and Disnarration in David Grossman's Nonfiction."

 

COMPLETED SUPERVISIONS (PhD)

  • Oliver Wakelin, "Baracáide Eureka" (novel) and "The Evolution of Representations of the Divine Across Tim Winton's Oeuvre: Intersections of the Sacred and Secular"
  • Anna Douglass, “alt.holiday” (novel) and “Excess Data: Encyclopaedic Narratives in the Digital Age”
  • Elizabeth King, "The Novelist in the Novel: Representations of Literary Authorship in Fiction 1850-1950"
  • Marie Rose Arong, "Situating the Philippines in the Postcolonial Landscape: Narrative Strategies of Filipino Novels in English (1946-1989)
  • Camilla Palmer, “Tough Nut” (novel) and “White Knuckle Ride: How Zadie Smith went from ‘black woman writer’ to ‘acclaimed novelist and critic’”
  • Jane Gleeson-White, Nature in the Twenty-first Century: Country and Capital in the Anthropocene, including "Six Capitals" (non-fiction) and "Country Manifest" (dissertation)
  • Hannah Courtney, "Narrative Trickery: Fiction, Truth, and Authorial Subterfuge."
  • Holly Zwalf, "Lolly Poppins" (novel) and "Mother Fucker: The Sexual, Childless Maternal Body in Queer, Women and Trans* BDSM Mumy Play"
  • Anna Westbrook, "The Quiet Noise" (novel) and “An Erotics of Reading: Jouissance, Queer Affects, and Futurity”
  • Mei-Ling Dubrau, “plaintext” (poetry) and “Changing the Subject: Rethinking Representation and the Lyric ‘I’ in Twentieth Century and Contemporary Poetics”
  • Tamryn Bennett, "Aneki" (poetry) and "Towards Comics Poetry: Beyond Sequential Boundaries"
  • Tim Hanna, “When I Say You I Mean Me” (novel) and “Telling Myself: The Dynamics of Narration in Epistolary Novels”
  • Emma Wortley, “The Perpetual Adolescent: Maturation, Consumerism and Young Adult Fiction”
  • Joan Phillip, “Transgressions in the Archives: Stories of Women Transported to Botany Bay – 1787-1788” (fictocritical project)
  • Sylvia Petter, “The Smell of Dislocation: ‘Ambergris’ (novel) and ‘The Smell of Dislocation: Olfactory Imagery in Selected Works of Janette Turner Hospital’ ”
  • Barbara Hill, “Sing at the Moon: The Contextual Narrative of Isolation and Grief in Australian Women’s Writing”

COMPLETED SUPERVISIONS (MA)

  • Josh Brown, “Just” (novel) and "Innovations in EFL Writing Workshops in Korea"
  • Amyn Rafiq, “Sultan” (fiction) and “Recasting Religion: Postmodern Literature’s Challenge to the Grandest Narrative”
  • Emma Anderson, “Reading Anais Nin on the Train” (fiction) and “Representations of Female Sexuality in Australian Chick-Lit Texts.”
  • Rebecca Jee, “Undragon Stories” (fiction) and “A World Waiting to be Made: Asian-Australian Identity in Contemporary Literature”

My Teaching

 

Visit the SAM website to view Paul's profile and full publications list.

Undergraduate Teaching:
ARTS2020: Creative Writing
ARTS3022: Narrative: The Art and Science of Storytelling

ARTS4100: Research Methods

AREAS OF SUPERVISION (PhD)
Narrative theory and novel history
Contemporary fiction and poetry
Creative writing

  • Paul received a 2011 Vice-Chancellor's Award for Excellence in Postgraduate Research Suupervision, and a 2012 Postgraduate Council Supervisor Award