Professor Paul Thomas
Honorary Professor

Professor Paul Thomas

Arts,Design & Architecture
School of Art & Design

Professor Fine Art 

Dr Paul Thomas, is a Professor of Fine Art , UNSW Art and Design. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference 2010,2012 and 2014. In 2000 Paul instigated and was the founding Director of the Biennale of Electronic Arts Perth 2002, 2004.

Thomas is a pioneer of transdisciplinary practice. His art work takes not only inspiration from nanoscience and quantum theory, but actually operates there. Thomas’s current practice is in collaboration with  Associate Professor Andrea Morello, Quantum Nanosystems, UNSW, looking at the probability of the electrons superposition in the development of quantum computing. Thomas’s pervious projects investigated silver, the mirror and quantum theories of light and parallel universes in the work Multiverse. Thomas’s nanoart works ‘Nanoessence’ explored the space between life and death at a nano level and Midas’ was researching what is transferred when skin touched gold.  The Midas and Nanoessence installations were in collaboration with SymbioticA, Centre of Excellence in Biological Arts, University of Western Australia and the Nanochemistry Research Institute, (NRI) Curtin University of Technology.

Thomas has exhibited nationally and Internationally and his current publications are Nanoart; The immateriality of art and Relive Media Art Histories, co-edited with Sean Cubitt. 

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  • Books | 2018
    Thomas PR, 2018, Quantum Art & Uncertainty, Intellect Books, https://press.uchicago.edu/ucp/books/book/distributed/Q/bo31274491.html
    Books | 2014
    Thomas PR, 2014, Interference Strategies, Aceti L; Thomas PR, (ed.), Leonardo Electronic Almanac, Leonardo/ISAST, San Francisco, http://www.leoalmanac.org/volume20-no2-interference-strategies/
    Books | 2013
    Thomas PR, 2013, Nanoart THE IMMATERIALITY OF ART, Intellect Ltd, Bristol, http://www.intellectbooks.co.uk/books/view-Book,id=4971/
    Books | 2013
    Thomas PR, 2013, Relive Media Art Histories, Cubitt S; Thomas PR, (ed.), Mit Press, http://mitpress.mit.edu/books/relive
    Books | 2009
    Thomas P, 2009, Reconfiguring Space, Original, VDM-Verlag-Dr.-Muller-Aktiengesellschaft--Co.-KG, Saarbrucken, http://www.abebooks.com/9783639140880/Reconfiguring-Space-Thomas-Paul-3639140885/plp
  • Book Chapters | 2017
    Eastwood D, 2017, 'The Studio As Cloud', in Aceti L; Thomas P; Colless E; Fisher L (ed.), Cloud and Molecular Aesthetics, LEA / MIT Press, Cambridge, MA, pp. 64 - 71, https://www.pubpub.org/pub/the-studio-as-cloud
    Book Chapters | 2017
    Mandl S; Gemeinboeck P, 2017, 'The Resonance of the Document: Material Exchange, Assemblage, and the Productive Archive', in Aceti L; Thomas P; Colless E (ed.), Cloud and Molecular Aesthetics, LEA / MIT Press, Cambridge, MA, https://contemporaryarts.mit.edu/pub/resonanceofthedocument
    Book Chapters | 2014
    Thomas PR, 2014, 'Interference Strategies', in thomas P; Aceti L (ed.), Interference Strategies, edn. Leonardo Electronic Almanac, Leonardo/ISAST, San Francisco, pp. 13 - 16, http://www.leoalmanac.org/volume20-no2-interference-strategies/
    Book Chapters | 2013
    Thomas PR; Cubitt S, 2013, 'Introduction: The New Materialism in Media Art History', in Thomas PR; Cubitt S (ed.), Relive Media Art Histories, Mit Press, pp. 1 - 25, http://mitpress.mit.edu/books/relive
    Book Chapters | 2011
    Thomas P, 2011, 'La philosophie du nanoart', in Sauvageot A; Boujeu X; Marie X (ed.), Images & Mirages @ nanoscience:Regards croisès, edn. Original, Hermann, Paris, pp. 121 - 133
    Book Chapters | 2009
    Thomas P, 2009, 'Audionano - Vibrating Matter', in Hope C; Marshall JW (ed.), Sound Scripts, edn. 2, Australian Music Centre, Perth, pp. 26 - 32, http://www.australianmusiccentre.com.au/product/sound-scripts-proceedings-of-the-2007-totally-huge-new-music-festival-conference-vol-2-2009
    Book Chapters | 2008
    Thomas P, 2008, 'Midas', in Hauser J (ed.), Sk-Interfaces: Exploding Borders in Art, Science and Technology, edn. Original, Liverpool University Press, Liverpool, pp. 144 - 147
    Book Chapters | 2008
    Thomas P, 2008, 'Nano Vibrational Interfaces', in Sommerer C; Gestrich D; Mignnoneau L (ed.), Interface Cultures – Artistic Aspects on Interaction, edn. Original, Transcript Verlag, Bielefeld, pp. 81 - 91, http://www.ufg.ac.at/Interface-Cultures-Artistic-Aspects-of-I.3606.0.html
  • Journal articles | 2022
    Rassell A; Henschke C; Thomas P, 2022, 'Abstracts from the Spectra 2018 Symposium Part 8: Submolecular', Leonardo, vol. 55, pp. 87 - 89, http://dx.doi.org/10.1162/leon_a_01975
    Journal articles | 2020
    Thomas P, 2020, 'Weaving quantum chaos', Ubiquity: The Journal of Pervasive Media, vol. 7, pp. 37 - 46, http://dx.doi.org/10.1386/ubiq_00014_1
    Journal articles | 2017
    Thomas PR, 2017, 'The shifting power of Clouds and Molecular Aesthetics', Leonardo Electronic Almanac, vol. 22, pp. 1071 - 4391, https://contemporaryarts.mit.edu/pub/shiftingpowerofclouds
    Journal articles | 2016
    Thomas PR, 2016, 'Atemporality, art, quantum phenomena and the jester', Ubiquity: The Journal of Pervasive Media, vol. 5, pp. 25 - 31, http://dx.doi.org/10.1386/ubiq.5.1.25_1
    Journal articles | 2016
    Thomas PR; Phillips M, 2016, 'Transdisciplinary imaging', Ubiquity: The Journal of Pervasive Media, vol. 5, pp. 3 - 11, http://dx.doi.org/10.1386/ubiq.5.1.3_1
    Journal articles | 2015
    Eastwood D; Thomas P, 2015, 'Disruptive agents: Transdisciplinary and posthumous manifestations of the studio', Ubiquity: The Journal of Pervasive Media, vol. 4, pp. 3 - 21, http://dx.doi.org/10.1386/ubiq.4.1-2.3_1
    Journal articles | 2015
    Thomas PR, 2015, 'The Transdisciplinary Cloud Curriculum', Leonardo, vol. 48, pp. 466 - 467, http://dx.doi.org/10.1162/LEON_a_01070
    Journal articles | 2014
    Thomas PR; Gibson P, 2014, 'Nanoart', Artlink: Australian contemporary art quarterly, vol. 34, pp. 58 - 59, http://shttp//search.informit.com.au/documentSummary;dn=652256975499156;res=IELAPA
    Journal articles | 2012
    Thomas P; Kahn D; Harley RB; Bennett J, 2012, 'Experimental Arts: Studies in Material Thinking [edited journal]', Studies in Material Thinking, vol. 8, http://www.materialthinking.org/smt-research-communication-platform
    Journal articles | 2012
    Thomas P; andruszkiewicz J, 2012, 'Force/Magnitude workshop', Ubiquity: The Journal of Pervasive Media, vol. 1, pp. 23 - 32, http://www.ingentaconnect.com/content/intellect/ubiq/2012/00000001/00000001/art00003;jsessionid=uydocw6lca9r.alexandra
    Journal articles | 2011
    Thomas P, 2011, 'ATOMISM: RESIDUAL IMAGES WITHIN SILVER', Leonardo Electronic Almanac, vol. 17, pp. 152 - 156, http://leoalmanac.org/
    Journal articles | 2011
    Thomas P, 2011, 'Infinite Smallness', Artnodes E-Journal on Art Science and Technology, vol. 11, pp. 15 - 16, http://www.visualarts.net.au/
    Journal articles | 2011
    Thomas P, 2011, 'Transdisciplinary strategies for fine art and science [Estrategias transdisciplinarias para las bellas artes y la ciencia]', Artnodes E-Journal on Art Science and Technology, pp. 112 - 116, http://artnodes.uoc.edu/
    Journal articles | 2011
    Thomas P, 2011, 'Transdisciplinary strategies in art and science', Artnodes E-Journal on Art Science and Technology, pp. 112 - 115, http://artnodes.uoc.edu/ojs/index.php/artnodes/
    Journal articles | 2011
    Thomas P; Dziekan V, 2011, 'Suitcase', The World is Everything that is the Case, pp. 14 - 18, http://crash.curtin.edu.au/local/docs/The%20World%20Is%20Everything%20That%20Is%20The%20Case.pdf
    Journal articles | 2011
    Thomas PR, 2011, 'Column 7: NEW IMAGING Transdisciplinary strategies for art beyond the new media Introduction', Column 7: NEW IMAGING Transdisciplinary strategies for art beyond the new media, vol. 7
    Journal articles | 2009
    Thomas P, 2009, 'Midas: A Nanotechnological Exploration of Touch', Leonardo - Journal of the International Society for the Arts, Sciences and Technology, vol. 42, pp. 186 - 192, http://dx.doi.org/10.1162/leon.2009.42.3.186
    Journal articles | 2009
    Thomas P, 2009, 'Nanoessence: God, the first nano assembler', Technoetic Arts: a journal of speculative research, vol. 6, pp. 217 - 231
  • Conference Papers | 2021
    Thomas P, 2021, 'Quantum Flâneur Meandering in the Darkness', in Figshare, Figshare, http://dx.doi.org/10.6084/M9.FIGSHARE.16993390.V1
    Conference Presentations | 2019
    Thomas P, 2019, 'Creative visualisation of the space between classical and quantum chaos', presented at Electronic Visualisation & the Arts conference., London, 08 July 2019 - 12 July 2019
    Conference Presentations | 2019
    Thomas P, 2019, 'Quantum Consciousness Reframed', presented at 21st International Conference Consciousness Reframed 2019 "Sentient States: Bio-mind and Techno-nature, Universidade Católica Portuguesa - Porto, Portugal, 06 June 2019 - 08 June 2019
    Creative Written Works | 2019
    Thomas P, 2019, Ed Looks at Chaos, Horton J, (ed.), Independently published, https://www.amazon.com.au/Ed-Looks-Chaos-Paul-Thomas/dp/1702186806
    Creative Written Works | 2019
    Creative Works (non-textual) | 2019
    Thomas P; Andruszkiewicz J, 2019, Quantum Echo, Visusalisation Matters 2019, National Convention Centre, Canberra., 06 May 2019 - 08 May 2019, medium: Digital video, at: http://visualisation.matters.today/2019/ui_portfolio/paul-thomas/
    Theses / Dissertations | 2018
    Eastwood D, 2018, Studio Afterlife: The Function of the Posthumous Studio in Contemporary Art
    Conference Presentations | 2018
    Thomas P, 2018, 'Now we are all Frankenstein’s monsters', presented at Quite Frankly: It's a Monster Conference, UWA, Perth, 17 October 2018 - 19 October 2018, http://www.symbiotica.uwa.edu.au/activities/symposiums/quite-frankly-2018
    Conference Presentations | 2018
    Thomas P, 2018, 'The Liminal space between classical and quantum', presented at Spectra Art and Science, Adelaide, 10 October 2018 - 12 October 2018, https://spectra.org.au/
    Conference Presentations | 2018
    Thomas P; Velonaki M, 2018, 'Artificial intelligence and robotics create in the dark', presented at Australian Council of Art and Design Schools, Perth, 27 September 2018 - 28 September 2018, https://acuads.com.au/conference/2018-conference/
    Creative Written Works | 2018
    Thomas PR, 2018, Ed Eats a Pork Pie, Ed Eats a Pork Pie, CreateSpace Independent Publishing Platform
    Creative Written Works | 2018
    Thomas PR, 2018, Mastery to intuition, Andrew Christofides: Towards Intuition, King Street Gallery
    Conference Presentations | 2017
    Thomas PR, 2017, 'New Visual Languages and the Speculative Nature of the Quantum Universe', presented at The Science of Consciousness, San Diego, 05 June 2017 - 10 June 2017, http://www.consciousness.arizona.edu/
    Conference Presentations | 2017
    Thomas PR, 2017, 'Visualising paradoxical Quantum Data', presented at Visualisation Matters 2017, UNSW Art & Design, Sydney, 21 November 2017 - 21 November 2017, http://visualisation.matters.today/2017/program/
    Recorded / Rendered Creative Works | 2017
    Thomas PR; Raxworthy K, 2017, Quantum Consciousness, Collision, Collaboration and the Future of Artsci, National Cheng Kung University, Taiwan, Editor(s): Pandilovski M, Mixed media, Published: 07 April 2017, Recorded / Rendered Creative Works, http://technoart2016.web2.ncku.edu.tw/bin/home.php
    Creative Works (non-textual) | 2017
    Thomas PR; Raxworthy K, 2017, Quantum Consciousness, The Science of Consciousness, San Diego, 05 June 2017 - 10 June 2017, at: http://www.consciousness.arizona.edu/
    Conference Presentations | 2016
    Thomas PR, 2016, 'Quantum Consciousness: and quantum Uncertainty', presented at The 3rd International Symposium on Art & Technology ISAT: Collision, Collaboration and the Future of Artsci, National Cheng Kung University, Taiwan, 14 November 2016 - 17 November 2016, http://technoart2016.web2.ncku.edu.tw/bin/home.php
    Conference Presentations | 2016
    Thomas PR, 2016, 'Quantum Media Art and its new modalities', presented at International Symposium of Electronic Art, Hong Kong, 16 May 2016 - 22 October 2016, http://isea2016.isea-international.org/
    Conference Presentations | 2016
    thomas PR, 2016, 'Undefinable Visions, Touch, Chaos and Uncertainty', presented at Indefinite Visions, Whitechapel Gallery 77-82 Whitechapel High St London E1 7QX, 24 June 2016 - 25 June 2016, http://www.whitechapelgallery.org/events/indefinite-visions/
    Conference Presentations | 2015
    Thomas PR, 2015, 'Quantum Consciousness and the Unpredictable Swerve.', presented at Neolife: The Rest of the World, Society for Literature, Science, and the Arts, Perth, Western Australia, 01 October 2015 - 03 October 2015, http://www.symbiotica.uwa.edu.au/activities/neolife-slsa-2015
    Conference Presentations | 2015
    Thomas PR, 2015, 'Reformatting Art Education through Viral Transmissions', presented at International Symposium of Electronic Art, Vancouver, 09 August 2015 - 11 August 2015, http://isea2015.org/
    Conference Presentations | 2015
    Thomas PR, 2015, 'Speculative Theory, Quantum Science, Measurement and Art', presented at Aesthetics After Finitude, Sydney, 05 February 2015 - 06 February 2015, http://aestheticsafterfinitude.blogspot.com.au/
    Conference Papers | 2015
    Thomas PR, 2015, 'The Disruptive Cloud and the Chaos of Uncertainty', in The Disruptive Cloud and the Chaos of Uncertainty, CATASTROPHE, CATACLYSM AND THE SINGULAR ACCIDENT, Winnipeg, presented at CATASTROPHE, CATACLYSM AND THE SINGULAR ACCIDENT, Winnipeg, 15 November 2015 - 15 November 2015, http://ageofcatastrophe.com/symposium/symposium-abstracts/
    Conference Presentations | 2015
    Thomas PR, 2015, 'The shifting power of Clouds, Matter and Molecular Aesthetics.', presented at Transversal Practices: Matter, Ecology and Relationality VI Conference on New Materialisms, Melbourne, 27 September 2015 - 29 September 2015
    Creative Written Works | 2015
    Thomas PR; Retter T, 2015, The body in dialogue with itself., Data Body as Artifact, MARart.org Press 2015
    Conference Presentations | 2014
    Thomas PR, 2014, 'Boundaryless Spin of Uncertainty', presented at Intimate Cosmologies: The Aesthetics of Scale in an Age of Nanotechnology, Cornell Council for the Arts, Council University, New York, 19 September 2014 - 19 September 2014
    Conference Presentations | 2014
    Thomas PR, 2014, 'Creating art/science cloud curriculum', presented at College Arts Association, Chicago, 12 February 2014 - 15 February 2014, http://www.visiblespace.com/
    Conference Presentations | 2014
    Thomas PR, 2014, 'Measurement Uncertainty and Probability', presented at Cornell Council for the Arts Symposium Intimate Cosmologies: The Aesthetics of Scale in an Age of Nanotechnology", Cornell University, 19 September 2014 - 19 September 2014
    Conference Presentations | 2014
    Thomas PR, 2014, 'The probability of the diagram and parallel universe', presented at The Australian Institute of Physics Congress, Canberra, 08 December 2014 - 11 December 2014, http://www.aip2014.org.au/index.asp?IntCatId=14
    Conference Presentations | 2014
    Thomas PR, 2014, 'Tracing Reality: Measurement and Drawing in the New Scientific Age', presented at International Symposium on Electronic Art, Dubai, 03 November 2014 - 06 November 2014
    Conference Presentations | 2014
    Thomas PR; Eastwood D, 2014, 'What constitutes a contemporary transdisciplinary artist studio?', presented at Australian Council of University Art and Design Schools conference, The Future of the Discipline, 02 October 2014 - 03 October 2014
    Recorded / Rendered Creative Works | 2014
    Thomas PR; Raxworthy K, 2014, Multiverse, The Small Infinite, John Hansard Gallery, Southampton, Editor(s): Aceti L, Published: 20 September 2014, Recorded / Rendered Creative Works, http://www.hansardgallery.org.uk/
    Recorded / Rendered Creative Works | 2014
    Thomas PR; Raxworthy K, 2014, Nanoessence, Intimate Cosmologies: The Aesthetics of Scale in an Age of Nanotechnology, Cornell Council for the Arts, Council University, New York, Editor(s): Owens S, Published: 11 October 2014, Recorded / Rendered Creative Works, http://cca.cornell.edu/?p=nanoessence
    Creative Works (non-textual) | 2014
    Thomas PR; Raxworthy K, 2014, Probability Wave, Quo Vadis: the last drawing show, UNSW Galleries, 20 September 2014 - 11 October 2014, at: https://www.artdesign.unsw.edu.au/unsw-galleries/quo-vadis-last-drawing-show
    Conference Proceedings (Editor of) | 2013
    Thomas P; Baker S, (ed.), 2013, 'Interference: Strategies for Art', Transdisciplinary Imaging Conference 2012, Sydney, presented at The second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture
    Conference Presentations | 2013
    Thomas PR, 2013, 'Feynman to Bacon the Probability of Diagrams', presented at The 5th International Conference on the Histories of Media Art, Science and Technology, RIga, 08 October 2013 - 11 October 2013
    Conference Papers | 2013
    Thomas PR, 2013, 'The probability of the diagram', in Fisher L; Cleland K; Harley R (eds.), The probability of the diagram, ISEA International, Sydney, presented at International Symposium of Electronic Art, Sydney, 11 June 2013 - 13 June 2013, http://hdl.handle.net/2123/9742
    Conference Presentations | 2013
    Thomas PR, 2013, 'The trans/ill/undisciplinary nomad', presented at The Association of Art Australia and New Zealand, Melbourne, 07 December 2013 - 09 March 2014, http://www.visiblespace.com/
    Recorded / Rendered Creative Works | 2013
    Thomas PR; Raxworthy K, 2013, Multiverse, Copenhagen, Editor(s): Thomas P, Projection, Live camera feed, Published: 2013, Recorded / Rendered Creative Works, http://re-new.org/multiverse/
    Recorded / Rendered Creative Works | 2013
    Thomas PR; Raxworthy K, 2013, Multiverse, Multi media instattation, Published: 30 September 2013, Recorded / Rendered Creative Works, http://ismar.vgtc.org/ismar/2013/info/call-participation/marart4-transreal-topologies-exhibition
    Conference Papers | 2012
    Stevens G, 2012, 'Cutting on action : interference strategies in contemporary art practice', in Baker S; Thomas P; Varano A (eds.), Interference as a Strategy for Art Conference Proceedings, Transdisciplinary Imaging Conference 2012 Sydney, Australia, Victorian College of the Arts, Melbourne, pp. 261 - 269, presented at The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Victorian College of the Arts, Melbourne, 22 June 2012 - 23 June 2012, http://blogs.unsw.edu.au/tiic/files/2013/03/Transimage_conference_proceedings2012.pdf
    Conference Presentations | 2012
    Thomas P, 2012, 'Atomism and many worlds', presented at Colliding Ideas; Art, Society and Physics Symposium, Melbourne, 08 July 2012, http://www.rmit.edu.au/collidingideas
    Recorded / Rendered Creative Works | 2012
    Thomas P; Raxworthy K, 2012, Nanoessence, Tsinghua University, Bejing, Published: 2012, Recorded / Rendered Creative Works
    Curatorial Outputs | 2011
    Thomas P; Dziekan V; Cubitt S, 2011, The World is Everything that is the Case, exhibited at: Istanbul, 04 September 2011 - 09 October 2011, International Symoisum of Electroinc Art, http://isea2011.sabanciuniv.edu/other-event/uncontainable-world-everything-case
    Recorded / Rendered Creative Works | 2011
    Thomas P; Raxworthy K, 2011, Midas, Science Gallery, Dublin, Editor(s): Gorman MJ, Published: 2011, Recorded / Rendered Creative Works, http://www.sciencegallery.com/visceral
    Conference Papers | 2010
    Thomas P, 2010, 'Art-Science - Curricular Models and Best Practices', in Funke J; Riekeles S; Broeckmann A; MedienKunstVerein H (eds.), Proceedings of the 16th International Symposium on Electronic Art, Revolver Publishing, Berlin, presented at ISEA2010 RUHR Conference., Dortmund, 20 August 2010 - 29 August 2010, http://www.isea2010ruhr.org/files/redaktion/pdf/isea2010_conference_proceedings.pdf
    Conference Presentations | 2010
    Thomas P, 2010, 'Material boundaries', presented at strange futures: collaborations that make nano-art Symposium, Perth, 07 February 2010, http://crash.curtin.edu.au/program/previous.cfm
    Conference Presentations | 2010
    Thomas P, 2010, 'Reconfiguring material boundaries', presented at SEAM 2010 Public Symposium: AGENCY and ACTION, The Seymour Centre, Cnr of City Rd and Cleveland St, Chippendale, Sydney, 15 October 2010
    Conference Presentations | 2010
    Thomas P, 2010, 'The Philosophy of Nanoart', presented at LA MANIFESTATION IMAGES & MIRAGES @ NANOSCIENCES, Toulouse, 09 December 2010 - 10 December 2010, http://www.images-mirages-nanosciences.cemes.fr/index.php?option=com_content&view=article&id=56&Itemid=56
    Conference Proceedings (Editor of) | 2010
    Thomas P; Baker S, (ed.), 2010, 'New Imaging: transdisciplinary strategies for art beyond the new media', Transdisciplinary Imaging Conference, Sydney, presented at The first International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Sydney, 05 November 2010 - 06 November 2010, http://blogs.unsw.edu.au/tiic/
    Recorded / Rendered Creative Works | 2010
    Thomas P; Raxworthy K, 2010, Nanoessence, Curtin University, Perth, Editor(s): Malcolm C, Published: 2010, Recorded / Rendered Creative Works
    Recorded / Rendered Creative Works | 2010
    Thomas P; Raxworthy K, 2010, Nanoessence, IMAGES & MIRAGES @ NANOSCIENCES, La Fabrique Culturelle (CIAM); Toulouse, Published: 2010, Recorded / Rendered Creative Works, http://www.images-mirages-nanosciences.cemes.fr/index.php
    Conference Papers | 2009
    Kenderdine S; Shaw J, 2009, 'The relocation of theatre: Making UNMAKEABLELOVE', in Thomas P; Cubitt S (ed.), Proceedings of Re:Live, The University of Melbourne & Victorian College of the Arts and Music, Melbourne, pp. 191 - 196, presented at Re:Live — Third International Conference on the Histories of Media Art, Science and Technology, Melbourne, 26 November 2009 - 29 November 2009, http://mass.nomad.net.au/wp-content/uploads/2011/01/relive09proceedings-copy.pdf
    Conference Papers | 2009
    Muller L; Jones C, 2009, 'An indeterminate archive for David Rokeby's Giver of Names', in Thomas P; Cubitt S (ed.), Re: Live 3rd International Conference on Media Arts Histories, Re: Live 2009, Melbourne, pp. 114 - 119, presented at Re: Live 2009, Melbourne, 27 November 2009 - 29 November 2009
    Conference Papers | 2009
    Thomas P, 2009, 'Nanoessence', in ACUADS Research 08/09, ACUADS, Adelaide, presented at ACUADS 2009 CONFERENCE Interventions in the Public Domain, Queensland College of Art Griffith University, 30 September 2009 - 02 October 2009
    Recorded / Rendered Creative Works | 2009
    Thomas P; Raxworthy K, 2009, Midas, Super Human Revolution of the Species, RMIT Gallery; Royal Melbourne Institute of Technology, Published: 2009, Recorded / Rendered Creative Works, http://www.superhuman.org.au/
    Conference Proceedings (Editor of) | 2009
    cubitt S; Thomas PR, (ed.), 2009, 'Relive Media Art Histories', The University of Melbourne & Victorian College of the Arts and Music, Melbourne, presented at Third International Conference on the Histories of Media Art, Science and Technology, Melbourne, 26 November 2009 - 29 November 2009, http://www.mediaarthistory.org/mah-conf-series/relive
    Conference Papers | 2008
    Thomas P, 2008, 'The Chemist as Flâneur in Intelligent Architecture', in Proceedings of ISEA2008, ISEA, Signapore, pp. 498 - 499, presented at 14th International Symposium on Electronic Art 2008, Singapore, 25 July 2008 - 03 August 2008
    Conference Papers | 2007
    Thomas P, 2007, 'Immateriality and Materiality', in CADE 2007 : Proceedings of computers in art and design education conference: stillness, Curtin University of Technology, Perth, WA, presented at Computers in Art and Design Education 2007, Perth, WA, 12 September 2007 - 14 September 2007
    Conference Papers | 2007
    Thomas P, 2007, 'i-500 Intelligent Architecture Project', in ACUADS (Australian Council of University Art and Design Schools Research 07/08, ACUADS, Sydney, Australia, pp. 14 - 15, presented at ACUADS 2007, COFA, UNSW
    Conference Papers | 2006
    Thomas P, 2006, 'Contemplating contemporary architecture', in Contemplating contemporary architecture, Consciousness Reframed, 8th International Research Conference, University of Plymouth, UK, presented at Consciousness Reframed, 8th International Research Conference, University of Plymouth, UK, 21 July 2006 - 23 July 2006
    Conference Papers | 2005
    Thomas P, 2005, 'The mirror as the primal space for new media', in Altered States: transformations of perception, place, and performance, Plymouth, UK